Posts Tagged ‘Space’

We Love… Space, Ibiza 2011: Flyer Art – 1 of 4

Thursday, May 12th, 2011

So here it is, a first look at our flyer art for the summer of 2011 at Space, Ibiza. Designed by our commended illustrator David Tazzyman, the carnival side-show theme continues throughout the series. Let the bedlam begin! Check the lineup for this party, here.

We Love… Space 2011 Fiesta de Apertura – Domingo 12 de Junio

Wednesday, April 27th, 2011

Estamos complacidos en anunciarles el lineup de nuestra fiesta de apertura de We Love…space, el domingo 12 de junio de 2011. We Love es única en Ibiza, con seis pistas de desenfranada exploración musical. Sigue los links de los artistas para videos, mixes y mucho más.

Seguir @welove_music en twitter para actualizaciones.

Terraza

James Zabiela
Hot Chip (Felix & Al DJ Set)
Jesse Rose
Heidi
Mat Playford

Discoteca – 20 YEARS OF PLANET E (Vinyl Only)

Carl Craig
Derrick May
Paul Woolford
Jem Haynes & Ian C

Sunset Terrace – MODA

Greg Wilson
Jaymo & Andy George
Tom Staar
Jason Bye
“AFTERDARK”
Mr Doris with Mo’Funk

El Salon – BLACK RABBIT

Guy Williams
Bones
Luca C

Red Box

Ryan O’Gorman
Scott Martin
Andy Carroll
+ Special Guests TBA

Premier Etage

Alfredo
Ian Blevins
Jamie “Fatneck” Low
Jon Howell

La fiesta de apertura de este año se plantea como la que definirá la temporada de Ibiza, ya que We Love… Space celebra los 20 años de Planet E. Pocos sellos discográficos han logrado superar la prueba del tiempo, y de haberlo hecho, no han sido muchos los que han podido proclamarse tan reelevantes e influyentes como lo fueron ellos,hace veinte anos ya. Planet E, no solo ha sobrevivido los ultimos 20 anos,sino que sin dudas se ha deleitado a lo grande durante los mismos. Al cerebro del techno de Detroit Carl Craig se le sumara Derrick May y Paul Woolford, quienes recientemente han realizado lanzamientos explosivos en el sello. Estos cerebros tambien estarán acompañados por el residente semanal de We Love Jem Haynes, quien tomará el control de la Discoteca y hara una inusual y prestigiosa sesión solo de vinilo, para celebrar este acontecimiento de la discografica.

Mientras tanto, la mundialmente famosa Terraza de Space tendrá de invitado a James Zabiela exibiendo su sonido house para el 2011. Los DJs de Hot Chip, Felix Martin y Al Doyle regresan para la primera de sus tres exclusivas fechas como residentes y Heidi, la favorita de “In New DJs We Trust” de Radio 1, traerá el sonido ‘jackin’ con el apoyo de Made to Play’s Jesse Rose. A continuación tendremos a la apuesta de We Love Mat Playford, haciendo un show en vivo de tres horas, utilizando un sistema análogo personalizado.

El 2011 trae nuevas caras para compartir esta serie de eventos de verano. El sello discografico Moda de Jaymo & Andy George estará auspiciandola Sunset Terrace antes de que el proyecto “Afterdark” de Mr Doris tome el control, luego de la media noche. Ryan O’ Gorman regresa con el Burlington Project para auspiciar doce citas íntimas en la Redbox, la pista que disfrutan entendidos locales y turistas por igual.

Nos vemos en la pista de baile! Tickets disponibles en Space Ibiza, Ibiza Spotlight y Club Tickets.

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We Love… Space 2011 Opening Party – Sunday June 12th

Monday, April 18th, 2011

We are delighted to announce the lineup for our opening party, We Love… Space on Sunday June 12th 2011. We Love is unique in Ibiza with 6 rooms of unbridled musical excursions. Follow the linked names for videos, mixes and more.

Follow @welove_music on twitter for updates.

Terraza

James Zabiela
Hot Chip (Felix & Al DJ Set)
Jesse Rose
Heidi
Mat Playford

Discoteca – 20 YEARS OF PLANET E (Vinyl Only)

Carl Craig
Derrick May
Paul Woolford
Jem Haynes & Ian C

Sunset Terrace – MODA

Greg Wilson
Jaymo & Andy George
Tom Staar
Jason Bye
“AFTERDARK”
Mr Doris with Mo’Funk

El Salon – BLACK RABBIT

Guy Williams
Bones
Luca C

Red Box

Ryan O’Gorman
Scott Martin
Andy Carroll
+ Special Guests TBA

Premier Etage

Alfredo
Ian Blevins
Jamie “Fatneck” Low
Jon Howell

This years opening party is set to define the Ibiza season as We Love… Space celebrate the seminal 20 Years of Planet E. Few labels have managed to stand the test of time and if they have, few can claim to be as relevant and influential as they were twenty years back. Planet E hasn’t just survived the last twenty years but positively revelled in it. Detroit techno mastermind Carl Craig will be joined by Derrick May and Paul Woolford, who have both recently presented the label with blistering releases. These masterminds will be joined by We Love weekly resident Jem Haynes to take control of the Discoteca for a rare and prestigious vinyl-only session in celebration of the label.

Meanwhile, the world famous Space Terraza plays host to James Zabiela showcasing his house sound for 2011. The Hot Chip DJs, Felix Martin and Al Doyle return for the first of their three date exclusive residency and Radio 1 current “In New DJs We Trust” favourite Heidi bringing the jackin’ sound’ o’ Chi’ Town with support from Made To Play’s Jesse Rose. Kicking off proceedings is We Love’s own Mat Playford playing a three hour live show using a customised analogue setup.

2011 brings new faces to share this summer’s series of events. Jaymo & Andy George’s label Moda host the Sunset Terrace before Mr Doris’ “Afterdark” project takes over after midnight. Ryan O’Gorman returns with The Burlington Project to host twelve intimate dates in the Redbox, the room for clued up locals and holiday-makers alike.

See you on the dancefloor! Tickets available from Space Ibiza, Ibiza Spotlight and Club Tickets.

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Savana Potente @ We Love Space 15.08.10

Tuesday, February 1st, 2011

We stumbled across these candid photos via Savana Potente‘s facebook page. They are the go-to institution for electronic music in north Italy and we were only too happy to host their crew in our Red Box, which is fast becoming an island institution on Sunday nights for locals and those holiday makers who seek an intimate and underground vibe within the walls of Space. The whole archive of Savana Potente photographs, from Ibiza, Torino and beyond is available on their flickr page. Early in 2010 they hosted a party for us in Torino, featuring Ben Klock, Marcel Dettmann and Ellen Allien, check out the video, here. Photography by Elisabetta Riccio.








Don’t forget to check out Savana Potente’s very slick offical website.

11 Questions – Ruairi Dunne

Friday, October 22nd, 2010

Rudog Bazilionaire

In 2007 Ruairi Dunne joined the We Love… team as editor of We Love TV. Born in Ireland, raised in deepest Scotland and schooled in London, Ruairi’s left-of-centre intellect was instantly evident in his edits. Having spent most of his formative summers surrounded by the lush greenery of the Scottish North East, the jump to a life of hedonistic debauchery in Ibiza was somewhat of a culture shock for the intrepid film maker, but four years down the line, although toying with the idea of a stretch in Strangeways, Ruairi definitely now calls Ibiza home. His first ever video for We Love… coincided with the release of our first ever CD, mixed by Serge Santiago and Riton. Ruairi’s subsequent videos have gone on to feature interviews with some of the biggest names in dance music including The Chemical Brothers, Jeff MIlls and Groove Armada and featured performances from musical luminaries such as Grace Jones and Aphex Twin.

Wise beyond his years and affectionately known as Roogle in the office due to his encyclopaedic knowledge of almost everything, we have slightly tailored our 11 questions to some more befitting a man of his persuasions.

Is there one book that you have read that has been life-changing for you?

Steinbeck’s opus East of Eden is the tale of Cain and Abel told through the prism of the Salinas Valley in California. It’s a story about man’s capacity for self destruction, guilt and free will. Also the complete works of Kurt Vonnegut are more relevant now than ever as the gap between science fiction and reality becomes nothing more than an optical illusion. I like American writers in general, they don’t have the same stylistic hangups as the English.

Was there one film or incident that first encouraged you to study filmmaking?

There was nothing in particular, it was mainly a desire to advance from the small town in which I grew up. I would like to name-check Fritz Lang’s Metropolis (1927) as a stunning depiction of industrial slavery and class warfare. However, calling what I do filmmaking is a stretch at best.

How do you apply your past experiences to what you do today?

I tend to reflect badly on most events I encounter although the monstrous anonymity of London was as inspiring as it was terrifying. I held on tight and survived with not a single hair out of place.

Where is your current studio and what is it like?

My studio of sorts is within the We Love headquarters on the port of Ibiza town. It’s a hive of activity during summer months but calm and contemplative during winter. My desk is three times larger than anyone else’s but there still isn’t enough room for all the DV tapes, hard drives, DVDs, coffee cups and general detritus of video editing, much to the consternation of our office manager – Big L.

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

I suppose my job can be broadly described as a marketing exercise in itself, a 21st century bill poster for Generation Z.

How would you describe your work?

Trying to avoid the obvious mistakes of others. I hope some of what I do can be an antidote to the lowest-common-denominator promotional videos produced in Ibiza for the over-sexed, under-socialized viewer I have so much contempt for. It’s an exciting position to be given the access and creative freedom I am provided with.

Who were your teachers?

Technically, Aaron Cazzola and Marco La Nave in London. I doubt there is anyone better than Mark Broadbent for learning about the vagaries of the murky depths in music promotion. Also Kristie for learning how to ask the right questions.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

There is too much stuff in my house, I would suggest to the burglars that they keep the lot.

You have to make one species of animal extinct. Excluding insects, which species would that be?

Pandas have had it far too easy for too long in my opinion.

If you could spend one week in any period of history, which period would you choose?

April 15th 1987 in order to test the auto-infanticide paradox.

Do you ever get bored of making videos of effectively the same thing for 16 weeks each summer? If so do you think this translates into your work and how do you go about rectifying this?

My main problems this year were feckless lethargy and indescribable scorn, but without those I wouldn’t have ended up hanging out with losers like you. Yes, you.

Follow Ruairi on twitter and check out his portfolio, here.

Interview with 2020 Vision’s Ralph Lawson

Wednesday, September 22nd, 2010

By guest writer Jonty Skrufff.

The one man stag-do


“It’s all about new ideas. Those with the best ones will win.”

Living his entire adult life in club culture and chatting to Skrufff just hours after finishing a three day long Balearic bender, 2020Vision chief Ralph Lawson might be expected to be more than a little grumpy though fizzing with enthusiasm and élan, he’s both energetic and remarkably lucid.

“The weird thing is I have always been able to stay up,” he chuckles. “I have massive adrenaline levels, in fact, I have far more problems going to sleep than staying awake.”

His latest trip to Ibiza has been to headline 2020Vision’s closing party for We Love Space, his last in a season of bashes that have seen him packing out the main dance-floor of the legendary Ibiza superclub each month. After each event, he’s handed out free We Love Space 10 / 2020 Vision mix CDs and label compilation he’s mixed with tracks from 2020Vision signed artists including Crazy P, Simon Baker and Audiojack.

The idea for the giveaway came from We Love (‘I jumped at Mark Broadbent’s offer for the We Love CD’, he admits) and is one of the new concepts he’s hoping will help his label prosper as music sales continually shrink.

“We pressed 11,000 copies and have around 1,000 left still to give out this week and next,” says Ralph, “For a comparison, in 2007 I mixed Fabric 33 which did 12,000 so it’s about the same in terms of numbers. Compilation sales five years ago were in a different league but those days are gone. Mix CDs are lucky to sell 2,000 (units) now. Why would people buy them when they can get podcasts for free? But you have to move with the times rather than get angry about it. It’s like King Canute ordering the sea to go back, it’s not going to happen,” he predicts.

“I gave out a bunch more after my set finished last Sunday and people were biting my hands off for them, if anything I could have done with more,” he laughs.

“I suppose we’ll only start to see the full effect over the next year and see if I am suddenly the next Luciano and We Love is bigger than God. Joking aside I have had amazing feedback both personally and on the internet so I am just glad if people are happy and have a memento of their night to keep for ever.”

Skrufff: What’s been your impression of Ibiza 2010 compared to earlier years?

Ralph Lawson: “I must say I have really enjoyed this summer. I have been lucky to have the monthly We Love residency and every single one has been great although June was perhaps slower due to the World Cup. Personally I love September, my favourite gig was my last one. The crowd are the real deal by this time of year, the hardcore. I went out to DC10 and Cocoon on Monday afterwards and both were packed, with good music as well. I ended up at Ibiza Rocks on Tuesday which was sold out for their closing party. I also played at the Underground in the summer which I love and we did a 2020Vision label show at Zoo Project which went great. So I think overall it’s still very positive for the Island.”

Skrufff: The last time we chatted in 2006, you talked about scaling back from 3 day marathon after-parties (“People don’t realise how much it takes out of you, when you’re partying, time is a different thing, hours pass like minutes and before you know it, it’s fucking Tuesday, then it takes you two days to recover, then it’s the fucking weekend again’): 4 years on, how much does it remain a temptation to get lost in party adventures? When was the last time?

Perfect vision

Ralph Lawson: “Ha Ha, it’s a bad day to ask me as I did go for a full three-nighter this week but hey it was my personal closing party. And yes I feel terrible today. I have been a good boy recently though and mainly concentrating on my work. I have a lot to do in the week. Everyone goes to Ibiza to let their hair down and I’m no exception, if there’s anywhere I will fall off the wagon, it’s there.”

Skrufff: How much has being work focused and less known for being a party animal changed the way people treat you? Have you ever felt not in synch with revellers: or uncomfortable by people caning it around you?

Ralph Lawson: “I think it’s hard to get rid of your reputation, my nickname in Ibiza is ‘stag-do’; because I’m the quiet one who is actually the worst when let out to play. Music keeps me very high. I still love it. As soon as I’m playing music, I’m in the zone and people know that, I don’t have to prove myself by taking every drug on the planet. I know which ones work for me and they are all the mellow ones. I need calming down not revving up. I really don’t mind what anyone else does at all though. The only thing that bothers me is if people try to shove stuff down your neck and get offended if you refuse. People have to respect personal choices.”

Skrufff: Talking about when you were DJing in the early 90s living in a farm outside Leeds, you recalled finding Hopefield Farm when you were homeless, splitting it between 3 of you for £400 in the 90s: sounds like you were quite happy despite being nearly penniless: how broke were you and how long did it take you to turn DJing into a lifelong career?

Terraza

Ralph Lawson: “I would never be so glib as to suggest being skint is fun. It’s not at all. We happened to get a great deal on the place at the time and made the most of it. I have definitely missed out on the big money some of my contemporaries have made as I’ve always been a resident at Basics where we started getting £30 a week and trying to get it up from there. I don’t think I’ve had a pay rise for over 10 years there. I think I was naive as to what other DJs were getting paid as I just wasn’t in that scene. Of course now I get paid OK when I guest and can’t complain. I have never had to work outside music since 1991 and I don’t plan to so it’s a constant hustle. Maybe I’ll finally be in the big money in the coming years, I actually believe I deserve it, especially when I hear some the guys who get paid up to 10 times more than me.”

Skrufff: What was the closest you came to quitting music and getting a straight job (was it ever an option you seriously considered?)

Ralph Lawson: “Yes I did consider this at times over the years though never for very long. Usually on days like today.”

Skrufff: What do you see the key role of 2020 Vision is these days: how much is it about marketing- and branding your acts as opposed to selling physical units (digital or otherwise?)

Get it while it's hot

Ralph Lawson: “Our key role is to put out great music. Our job now is to find ways of doing this that still create a revenue stream for the artist. For me it has become more about playing live shows and gigs as that is the only place people can’t steal your work. It’s you up there, doing it. Your experience, your skill, your music. There has always been bootlegging since records were invented but now we have a format that is so easy to copy it has got out of control.

It is possible that in the future someone will invent a format that is harder to copy but right now it doesn’t exist for public use. Until then we are focusing on building 2020Vision live. We recently did a sold out show at Village Underground in London for 1000 people with 300 unable to get in outside. That’s gotta’ be a wake up call that I am heading in the right direction with a good crew of artists.”

Skrufff: How much do you see yourself as a brand?

Ralph Lawson: “I was always uncomfortable with brands as such. It reeks of marketing jargon. I also think kids can see through companies that are all about their brand with no substance. Of course you have to build your name but substance has to come first. I prefer to look at it that way.”

Skrufff: How much do you believe in visualising success? Do you (and have you always) been- and felt- lucky? Well? Do you?

Ralph Lawson: “I was lucky at the start because I was in the right time at the right place with the right records. Everything since then has been hard graft. As I grow older I am more and more believing in the visualising idea you suggest. But what’s more important is not thinking or talking about it but doing it.”

Skrufff: What’s been the greatest mistake you’ve made?

Ralph Lawson: “Not signing Trentemoller when I had the chance. That still pisses me off. I should have listened to my instincts which were right and not the track he sent which was wrong.”

Skrufff: And what’s been the greatest obstacle you’ve overcome?

Ralph Lawson: “The deaths of my girlfriend and DJ partner in 1993.”

We Love Space Sundays 10 / 2020Vision summer 2010: mixed by Ralph Lawson is available from various outlets in Ibiza (and almost certainly at We Love’s closing party this weekend (Sunday September 26th).

If you are not one of the lucky ones being in Ibiza for the closings you can get the cd on beatport as well.

Ralph Lawson DJ Profile

We Love Space 2010 – Closing Fiesta

Saturday, September 4th, 2010

The end is nigh! There’s still time to book flights from wherever you may be for this party of epic proportion. The line-up speaks for itself, including an Ibiza debut from Aphex Twin in the Discoteca and a return to the venerated Terraza with Basement Jaxx. Big up to David Tazzyman. See you there! x

We Leviathan Space



Danny Howells – DJ Requests, DJ Snubs & DJ Tips

Friday, August 13th, 2010

Another fine article from our guest writer Jonty Skrufff, find him on facebook here. Click the record stickers to listen…

Digging deeper

“Fellow DJs take note – if you end up stranded in some country due to an airline fuck-up, find your own accommodation or sleep in the business lounge – you’ll thank me.”

16 years after he started his career spinning warm up sets at John Digweed’s fledgling Bedrock nights in his home town of Hastings, Danny Howells knows more than a little about travel snafus including his latest incident which saw him missing a headline slot at Ibiza superclub Space last weekend.

“It was a complete fuck-up and I’m gutted,” says Danny.

“I was flying in from Tunis, via Nice, and my outward flight was delayed by almost four hours. There was absolutely no other way of getting into Ibiza therefore I ended up stuck in Tunis for the night; in a -2 star hotel provided by the airline that was so vile I had to sleep with my shoes on. Stuff happens like this sometimes that there is absolutely no control over and it is an absolute pain in the arse,” he complains.

“On this occasion, it was my only Space gig for 2010 so it’s even more depressing,” he complains, “I’m not really an ‘Ibiza DJ’ and I probably don’t draw many punters to the club so I doubt I’ll be getting booked again next year after this.”

Grumbling (and false modesty) issues aside the progressive tech-house star is endearingly down to Earth reflecting his first job working as a psychiatric nurse in a semi-secure ward treating patients suffering from serious psychiatric disorders, including some who could be violent. 16 years on though, all is forgiven, he smiles.

“Whenever I go back to Hastings, I always bump into at least one of my old patients. Some of the younger ones always tell me how happy they are for me, that I managed to get out of nursing, or that they’ve bought one of my CDs etc,” he says proudly.

“There’s even one that I once made a mix-tape for, and he always tells me that he’s gutted that he lost it, and can I make him another one. That’s really nice, and I’m always so happy to see them all doing well. There are a few who on occasion threatened to kill me if ever they saw me outside, but now we see each other and have a hug and a chat. I’ve never ruled out the possibility of going back into that profession one day – I won’t be DJing forever, and doing something like nursing is so rewarding, even though it can be so stressful.”

Death threats aside he has no immediate plans to retire, however, despite admitting he’s been suffering from an unusually intense bout of writer’s block.

“This year has been a strange one so far, gig-wise it’s been pretty fabulous, but production-wise I’ve been in a bit of a six month funk. I produced so much stuff over the last few years, and kind of worked myself into a block, so to speak.”

“But it’s a cloud that really does has a silver lining, as it’s given me the chance to open up the Dig Deeper label to producers other than myself, and right now I’m buzzing over some of the forthcoming tracks that I’ll be releasing. We put out a message for producers to send in their demos, and honestly it was quite overwhelming, both in terms of the quality of the material that was sent in, and the love that some people have for the label.

I never really think that many people are paying attention to what I do, but then something happens which comes as a shock – for example, finding out that Juan Maclean was into the label, and was going to use my “Laid Out” track at his DJ gigs was amazing.”

Laid out

Jonty Skrufff: You mentioned being gutted about missing Space, though chatting to Time Out’s Steve Swindells about your gig at the (tiny) Notting Hill Arts club last year you said about playing in superclubs, ‘it is sometimes difficult to maintain the interest over a longer period with larger crowds, and can feel forced into playing more uptempo than you want to’, what prompted that comment?

Danny Howells: “I think these comments stem from my own insecurities, as playing to large crowds definitely does scare me. I have found in the past that it can be difficult to hold the interest of a large crowd over a long period of time, especially as a lot of my peak-time music is so dark. But sometimes things happen that can change my own perspective of what I can do. Bonnaroo was a great example, because due to various circumstances I ended up playing the final four hours, which is very long for a festival set as far as I’m concerned. I don’t think I did a bad job to be honest. It worked out a lot better than when I had to follow David Guetta at Creamfields last year – that was harder for me than when I had to follow Dave Clarke or Jeff Mills.

Jonty Skrufff: In the same Time Out article last year you reminisced of the joys of ‘chatting up birds, and being rejected’ at the club, whereas the last time we spoke (in 2005) you’d just fallen in love and were talking babies and a shared passion for easy listening gods the Carpenters: what happened, are you still together with the same girl?

Danny Howells: “I still love the Carpenters . . . our relationship didn’t work out though, sadly, but we’re still the very best of friends. I think our continued friendship comes from a shared loved of animals. After the break-up she ended up with one cat and two guinea pigs, I held onto one cat, three guineas and a bunny (rabbit), who sadly recently passed away. I don’t even vaguely consider going into another relationship now. My relationship is with my pets; in a non-sexual way of course.”

Jonty Skrufff: How much of a problem is it meeting girls who want to be with you for you as opposed to ‘Danny Howells- international DJ’?

Danny Howells: “I’m so aware of that whole thing where people who would never look twice at me in normal situations suddenly want to hang out – that whole side of DJing is so fake and I’d rather stay celibate for the rest of my life than shag some bird who likes me because I play other people’s records. That was one of the key reasons my last relationship lasted nearly five years – she thought I was “OK” as a DJ but was so far from being a fan. I did try and seek her approval at times, but we would never have become serious had she been a fan.”

Jonty Skrufff: Space chatted about James Zabiela being swamped with psycho groupies at his recent gig: how difficult is it to resist temptation night after night, year after year?

Danny Howells: “He’s much younger and better looking than me and the girls absolutely love him. Even I can’t resist grabbing his dinkle whenever I see him. I have never really noticed many females stalking me though, either I’m completely oblivious to it, or I’ve just never been a heart-throb. I think the latter is probably more accurate.”

Jonty Skrufff: Have you ever encountered problems from jealous boyfriends?

Danny Howells: “No, because I have never put it about. That’s just not the way I was brought up. When I have spare time on tours, I’m on my laptop trying to get ideas for tunes, or trying to find new music for my sets. I really try and get my full amount of sleep whenever possible too – not very rock n’ roll, but I’d rather sleep than shag right now.”

Landing on planets


Jonty Skrufff: Wikipedia says ‘At performances, he is well known to interact personally with the audience’: have you ever had problems from drunks/ people competing with you? (e.g. over-pushy DJ request people?)

Danny Howells: “Oh definitely. One of my earliest DJ memories was in the early-mid 90s, down at the Crypt in Hastings. Some girl was banging on at me to play M-People and I was really kindly telling her that I didn’t have any. I went to mix the next track in and she grabbed me by the T-shirt, yanking me onto my back and snapping my headphone cable. She then told the club manager that I’d been rude to her, so I ended up being threatened with the sack. I still get it now, people approaching me, being really friendly and after I’ve given them a beer out of my rider, they come out with “You got anything harder?!” Please, dearest, piss off!”

Jonty Skrufff: Looking at your tour schedule you’re playing every two or three weeks as opposed to two or three gigs a weekend: have you taken a conscious step back from playing so much?

Danny Howells: “It’s actually a lot more than that, but I think part of the problem lies in the fact that I don’t keep my online diaries very up-to-date. I am, however, making a very big effort to take more time off, as I honestly enjoy it much more when I’m not touring relentlessly. There a other guys out there who are much older than me and can stay away from home for long periods, but I really find it hard. There’s no point in me being away from home for 3-4 weeks: I’m not promoting a major record, I’m not chasing fame or looking to build up my bank balance.

I get so homesick when I’m away for too long, and my body doesn’t cope with lack of sleep any more. Age affects us all differently, and I really can’t go on pretending that I’m 24 when I’m pushing 40. I’ve been doing this for a long time now, and I know what I enjoy, and I’m fortunate to be in a situation where I can be a bit more picky about how much time I spend away from home. The whole airport-hotel-car thing takes it’s toll on me so I have to take things a bit more gently now.”

Jonty Skrufff: There are thousands of tracks released each week now and more and more all the time: how much is information overload a problem? what do you think are the implications for DJ culture longer term?

Danny Howells: “I have my own routines for sourcing music. I check my promo inbox all the time, and there are always a few nuggets in there. I also rely heavily on Juno too, for finding all the really deep and more eclectic bits. I still buy vinyl from there, but not as much as I used to. As far as long term implications go, well the scene has definitely changed a hell of a lot. Seeing someone like Deadmau5 headlining Ultra in Miami over Orbital goes to prove that. There’s a lot of very disposable music out there which outsells everything else, but I’m pretty hopeful that there’ll always be a little niche for old fogeys like me.”

Jonty Skrufff: What made you leave Hastings a few years ago for London?

Danny Howells: “It was when I moved in with my then fiancee. I actually was living outside of Hastings, in a remote village with nothing but a pub and a village shop/post office. She’d moved over from Amsterdam and I couldn’t make her live in a place like that. I loved that whole village life-style, but I love being in London now – even though I’m still pretty reclusive.”

Jonty Skrufff: What do you make of British society today: is it in any way noticeably more dysfunctional than 15 years ago? Does it cause you any alarm? (eg the ubiquity of binge drinking?) What should be done?

Right off


Danny Howells: “I haven’t got a clue what should be done – I’m a DJ not an MP. As far as drinking and drugging goes, I think we’ve always been a bit off the hook in Britain. I doubt that the crowds in the 60s going to Pink Floyd and Hendrix gigs were exactly sober. I find the knife/gun culture more alarming, rarely a week seems to go by without some horrific news. The whole instant-celebrity thing is so annoying too – so many people who are famous for absolutely nothing other than shagging some crap footballer. Please, fuck off!”

Jonty Skrufff: How important is it for DJs to personally keep up with Facebook/ Twitter today; how much time do you spend on it?

Danny Howells: “I am a Luddite as far as technology goes – my DJ technical rider is so straightforward, my Nan could be my tour manager. I think the whole Twitter/Spacebook thing is really important now. I have someone who does my fan page for me as I cannot do that whole ‘come to my show’ stuff. I can’t bring myself to big myself up and re-tweet things like ‘your set was so great’, which so many other DJs do non-stop. I think it’s actually fun to chat with people on Twitter though – it’s my way of interacting with people, now that I don’t have a message board. It’s good for the banter and I love stalking the (TV show) Dragon’s Den crew on there – Bannatyne is such a legend. I try not to follow people who just use it for self-promotion though – you know the people who have 10,000 followers yet don’t follow anyone themselves. What’s that all about? The whole status-updating thing is rubbish to me, but the whole talking bullshit element is a lot of fun.”

Jonty Skrufff: You mentioned on Twitter being rejected by a superstar techno DJ recently: did/ do you take it personally?

Danny Howells: “A little bit, I suppose, yes. I’m always so happy to see another producer/DJ reach out to me, regardless of their genre or how cool they are. There are definitely some people out there who have a raised opinion of themselves, and don’t want to be seen to be connecting with some supposed old “progger” (progressive house DJ) like myself. Yet there are others who show true warmth and appreciation for the fact that I play their records and support their labels etc.

The techno DJ in question, I was actually trying to get in touch as I’d re-edited two of his tracks which have been a regular staple of my sets over the last ten years, and I wanted to give them to him. That was all. I’ve been playing his tracks for nearly twenty years, and have nearly everything his label has put out on vinyl. But at the same time, I got a personal message from Keith Chegwin, thanking me for bigging him up on Twitter – a true legend in my eyes, and he’s still taking the time to thank me. Thank you Cheggars. I love being able to connect with random people I admire .. Dragon’s Den stars, Eastenders actors, Big Ben clock etc – so I always reciprocate and take the time to connect with people that admire me.”

Jonty Skrufff: I haven’t asked yet about cosmetics: when was the last time you wore eyeliner? How important is image for DJing these days? More or less than before?

Danny Howells: “I have a certain identity crisis right now – my image has gone stale and I always feel so old when I walk into a club full of 18-24 year olds. I should tart myself up more and would definitely benefit from a bit of slap, but I don’t really have the confidence right now. You should style me!”

Jonty Skrufff: How about ditching the stubble?

Danny Howells: “I can’t shave! It makes me look like Freddie Mercury; just before he went!”

Thanks to both Jonty and Danny find their respective official websites here and here.

Mark Broadbent: How To Get Booked At Space Ibiza

Wednesday, July 28th, 2010

By guest writer Jonty Skrufff, join him on facebook here.

Ten years after he became the head booker at Ibiza’s most credible and critically important party (We Love) at the island’s most influential venue (Space), Mark Broadbent‘s advice for landing a gig is impressively (if deceptively) simple.

“Make friends with us,” he recommends, “reach out.”

Well aware of We Love’s career boosting potential he’s equally conscious that every new booking means an established player loses out, a side of his job he admits continuing to find more than a little tricky.

“It’s a terrible thing to have to do to tell someone you’re no longer booking them and over the years I’ve dropped quite a few acts who were mainstays of our programming back in the day,” he admits.

‘You’ve got to remember that most of these people have become friends but at the end of the day you’re not doing anybody favours by just booking them for the sake of it. Everybody can tell when a booking has been made for those reasons. Still, it’s the worst part of the job and it keeps me awake at night sometimes,” he admits.

Pursuing a policy of mixing big name ‘underground’ names (this season’s stars include Carl Craig, Claude VonStroke and Joris Voorn) with rising talent (notably Deepgroove, Berghain’s Marcel Dettman and Jesse Rose), We Love is broadly centred around techno, though Mark’s keen to avoid being pigeon-holed by genres.

“We book acts from all four corners of the globe and given that we have six rooms to program you can often find lesser know genres like dubstep, for example Appleblim – being played in the club at the same time as big room house, for example by someone like Steve Lawler,” he points out.

“Music is our passion and we hunt it out in the best venues and parties and try to replicate what we experienced through our programming here at Space. This has also helped keep our parties very cosmopolitan in terms of our customers.”

He’s also impressively unflustered about the actions of rival Balearic clubs such as Pacha who made a dramatic move this season booking minimal / deep type Luciano for a season of Sunday night affairs.

“After 15 years living and working on Ibiza I have found that people who like to go to Pacha will go there but on the same token, if you don’t like Pacha for one reason or another, no DJ booking is going to make you go there,” he says.

“I think maybe we have lost the odd soul to Luciano this summer but if you’re a regular customer of ours, there is no competition really.”

Jonty Skrufff: What’s your take on 2010 so far: business as usual? Are there any significant trends you’re noticing and/ or pushing?

Mark Broadbent: “Attendance to We Love has been pretty much the same as last year, the numbers aren’t amazing but the parties have been fantastic. This summer will be a hard one again for many and the World Cup hasn’t helped but I’m sure all the main players on the island will see a big jump in numbers over the next few weeks. We don’t really do trends to be honest which is why we are still at the top of our game; keep the quality high and avoid all trends!”

Jonty Skrufff: How are the Ibiza authorities these days: towards clubs and Space in particular? Do they still mount drugs raids on clubbers approaching the club or monitor your closing times closely?

Mark Broadbent: “We have absolutely no problems with them as we stick to the rules in place. We don’t sell drugs behind the bars and we close when we are supposed to. The police here are not interested in people taking a few pills in to the clubs for their own consumption they are looking for dealers and they generally have an angle on this.”

Jonty Skrufff: Fabric owner Cameron Leslie talked this week about London nightlife being affected across the board by massive unemployment amongst the under 25s, how much do you believe Ibiza is immune to economic pressures afflicting Spain / the rest of the world?

Mark Broadbent: “It’s not, many businesses here have been massively effected and the number of tourists this past two years has fallen by over 30% in some sectors.

Jonty Skrufff: He also talked of the need for some ‘very grown up conversations’ about DJ fees with agents/ managers (‘the reality is that, the artist fees that are being asked for don’t go hand-in-hand with dropping attendances’): are you already having the same conversations? or planning to?

Mark Broadbent: “Good luck to him, although he is in a good position as one of the only big room venues in London that acts really want to play at so maybe he stands a chance of lowering fees. We have had this conversation once with a big act that we occasionally book and were very pleasantly surprised with the answer although it’s not something I’m going to make a habit of doing and I would certainly not make a point of doing so across the whole field of acts that play for us. It is easier for us as we have only 16 weeks in which to host the parties at Space so we can plan for most eventualities and figure this into our budgets, a weekly party year round party has its own ongoing budget problems that differ from ours.”

Jonty Skrufff: You spoke to AddictedToIbiza last year who recently described San Antonio as ‘ex-pat English wasteland in the sun’ populated by ‘chavs, teenagers, washed up ravers, has-been English DJs, first-timers’: how much time do you spend in San An personally?

Mark Broadbent: “I go there for bacon from Pete the Butchers once a month in winter and there are a few very nice beaches hidden in far flung corners that way that I’ll visit occasionally in autumn. Outside of the occasional visit to Ibiza Rocks in summer I stay away from San Antonio not out of any fear of the place but there is simply no reason to go there if you live in Ibiza Town as I do.”

Jonty Skrufff: Their use of the term ‘has-been English DJs’ seems a little cruel, how difficult is it for people to stay on the island once they’ve passed their peak in career terms?

Mark Broadbent: “Ibiza is certainly a cruel island to be on if your star has dwindled. However having said that if you’re willing to get stuck in there is always work to be found. It’s ego dependent.”

Jonty Skrufff: What did you do before Space? What was your route into club culture?

Mark Broadbent: “I was a refrigeration technician back in the real world. I worked as a sub contractor for two large breweries for ten years then decided that was not what I wanted to continue doing so left for India as many do to try and find out just what it was I wanted to do with myself. I came home a year later to find the country in the grip of the first recession so there was no work in the field I came from which turned out to be actually a fucking blessing. Anyway, misadventure and good luck in the shape of (We Love chief) Darren Hughes prevailed. Darren was looking for somebody to run his affairs in Ibiza for Cream and we – myself and my wife Sarah – were looking for a job we could do for four months of the year enabling us to travel for the rest of the time. That was 12 years ago.”

Jonty Skrufff: Why aren’t you a DJ yourself?

Mark Broadbent: “I’ve always been a huge music lover so for me this job is really an extension of what I love. Programming the nights musically means I can have a certain amount of input into the whole venue. I have been asked many times to DJ at ours or at other people’s events but to be honest I could never be a performer. To stand up in front of a crowd and be judged, the thought of it makes me feel sick. I prefer to be in the background controlling things out of sight.”

Jonty Skrufff: In the AddictedToIbiza article you also recommended bringing lube (lubrication) to Ibiza why, can’t you buy it on the island?

Mark Broadbent: “Because it’s a small island and there’s only so much to go around! This comment is a little out of date now as it goes. Since I first made it – as a joke – Durex have introduced their own lube and toy arm to the company and you can now buy lube and vibrators in most of the chemists on the island. How times change. I can remember not so long ago when it was impossible to buy condoms in Spain.”

Thanks Skruff, view the original article here.

If Music Be The Food Of Love…

Wednesday, July 21st, 2010

…play on! The importance of sustenance at home, rations on the road and the dreaded promoters dinner. Culinary memories of Kraft macaroni and slaughtering your own meal with Ivan Smagghe, Simian Mobile Disco, Deepgroove, Shaun Reeves, Bones and Heidi.

Featuring performances from 2020Soundsystem live at We Love – Ministry of Sound London, Ivan Smagghe in the Discoteca for We Love Space and DJ Hell in London also.