Posts Tagged ‘Space’

Mark Broadbent: How To Get Booked At Space Ibiza

Wednesday, July 28th, 2010

By guest writer Jonty Skrufff, join him on facebook here.

Ten years after he became the head booker at Ibiza’s most credible and critically important party (We Love) at the island’s most influential venue (Space), Mark Broadbent’s advice for landing a gig is impressively (if deceptively) simple.

“Make friends with us,” he recommends, “reach out.”

Well aware of We Love’s career boosting potential he’s equally conscious that every new booking means an established player loses out, a side of his job he admits continuing to find more than a little tricky.

“It’s a terrible thing to have to do to tell someone you’re no longer booking them and over the years I’ve dropped quite a few acts who were mainstays of our programming back in the day,” he admits.

‘You’ve got to remember that most of these people have become friends but at the end of the day you’re not doing anybody favours by just booking them for the sake of it. Everybody can tell when a booking has been made for those reasons. Still, it’s the worst part of the job and it keeps me awake at night sometimes,” he admits.

Pursuing a policy of mixing big name ‘underground’ names (this season’s stars include Carl Craig, Claude VonStroke and Joris Voorn) with rising talent (notably Deepgroove, Berghain’s Marcel Dettman and Jesse Rose), We Love is broadly centred around techno, though Mark’s keen to avoid being pigeon-holed by genres.

“We book acts from all four corners of the globe and given that we have six rooms to program you can often find lesser know genres like dubstep, for example Appleblim – being played in the club at the same time as big room house, for example by someone like Steve Lawler,” he points out.

“Music is our passion and we hunt it out in the best venues and parties and try to replicate what we experienced through our programming here at Space. This has also helped keep our parties very cosmopolitan in terms of our customers.”

He’s also impressively unflustered about the actions of rival Balearic clubs such as Pacha who made a dramatic move this season booking minimal / deep type Luciano for a season of Sunday night affairs.

“After 15 years living and working on Ibiza I have found that people who like to go to Pacha will go there but on the same token, if you don’t like Pacha for one reason or another, no DJ booking is going to make you go there,” he says.

“I think maybe we have lost the odd soul to Luciano this summer but if you’re a regular customer of ours, there is no competition really.”

Jonty Skrufff: What’s your take on 2010 so far: business as usual? Are there any significant trends you’re noticing and/ or pushing?

Mark Broadbent: “Attendance to We Love has been pretty much the same as last year, the numbers aren’t amazing but the parties have been fantastic. This summer will be a hard one again for many and the World Cup hasn’t helped but I’m sure all the main players on the island will see a big jump in numbers over the next few weeks. We don’t really do trends to be honest which is why we are still at the top of our game; keep the quality high and avoid all trends!”

Jonty Skrufff: How are the Ibiza authorities these days: towards clubs and Space in particular? Do they still mount drugs raids on clubbers approaching the club or monitor your closing times closely?

Mark Broadbent: “We have absolutely no problems with them as we stick to the rules in place. We don’t sell drugs behind the bars and we close when we are supposed to. The police here are not interested in people taking a few pills in to the clubs for their own consumption they are looking for dealers and they generally have an angle on this.”

Jonty Skrufff: Fabric owner Cameron Leslie talked this week about London nightlife being affected across the board by massive unemployment amongst the under 25s, how much do you believe Ibiza is immune to economic pressures afflicting Spain / the rest of the world?

Mark Broadbent: “It’s not, many businesses here have been massively effected and the number of tourists this past two years has fallen by over 30% in some sectors.

Jonty Skrufff: He also talked of the need for some ‘very grown up conversations’ about DJ fees with agents/ managers (‘the reality is that, the artist fees that are being asked for don’t go hand-in-hand with dropping attendances’): are you already having the same conversations? or planning to?

Mark Broadbent: “Good luck to him, although he is in a good position as one of the only big room venues in London that acts really want to play at so maybe he stands a chance of lowering fees. We have had this conversation once with a big act that we occasionally book and were very pleasantly surprised with the answer although it’s not something I’m going to make a habit of doing and I would certainly not make a point of doing so across the whole field of acts that play for us. It is easier for us as we have only 16 weeks in which to host the parties at Space so we can plan for most eventualities and figure this into our budgets, a weekly party year round party has its own ongoing budget problems that differ from ours.”

Jonty Skrufff: You spoke to AddictedToIbiza last year who recently described San Antonio as ‘ex-pat English wasteland in the sun’ populated by ‘chavs, teenagers, washed up ravers, has-been English DJs, first-timers’: how much time do you spend in San An personally?

Mark Broadbent: “I go there for bacon from Pete the Butchers once a month in winter and there are a few very nice beaches hidden in far flung corners that way that I’ll visit occasionally in autumn. Outside of the occasional visit to Ibiza Rocks in summer I stay away from San Antonio not out of any fear of the place but there is simply no reason to go there if you live in Ibiza Town as I do.”

Jonty Skrufff: Their use of the term ‘has-been English DJs’ seems a little cruel, how difficult is it for people to stay on the island once they’ve passed their peak in career terms?

Mark Broadbent: “Ibiza is certainly a cruel island to be on if your star has dwindled. However having said that if you’re willing to get stuck in there is always work to be found. It’s ego dependent.”

Jonty Skrufff: What did you do before Space? What was your route into club culture?

Mark Broadbent: “I was a refrigeration technician back in the real world. I worked as a sub contractor for two large breweries for ten years then decided that was not what I wanted to continue doing so left for India as many do to try and find out just what it was I wanted to do with myself. I came home a year later to find the country in the grip of the first recession so there was no work in the field I came from which turned out to be actually a fucking blessing. Anyway, misadventure and good luck in the shape of (We Love chief) Darren Hughes prevailed. Darren was looking for somebody to run his affairs in Ibiza for Cream and we – myself and my wife Sarah – were looking for a job we could do for four months of the year enabling us to travel for the rest of the time. That was 12 years ago.”

Jonty Skrufff: Why aren’t you a DJ yourself?

Mark Broadbent: “I’ve always been a huge music lover so for me this job is really an extension of what I love. Programming the nights musically means I can have a certain amount of input into the whole venue. I have been asked many times to DJ at ours or at other people’s events but to be honest I could never be a performer. To stand up in front of a crowd and be judged, the thought of it makes me feel sick. I prefer to be in the background controlling things out of sight.”

Jonty Skrufff: In the AddictedToIbiza article you also recommended bringing lube (lubrication) to Ibiza why, can’t you buy it on the island?

Mark Broadbent: “Because it’s a small island and there’s only so much to go around! This comment is a little out of date now as it goes. Since I first made it – as a joke – Durex have introduced their own lube and toy arm to the company and you can now buy lube and vibrators in most of the chemists on the island. How times change. I can remember not so long ago when it was impossible to buy condoms in Spain.”

Thanks Skruff, view the original article here.

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If Music Be The Food Of Love…

Wednesday, July 21st, 2010

…play on! The importance of sustenance at home, rations on the road and the dreaded promoters dinner. Culinary memories of Kraft macaroni and slaughtering your own meal with Ivan Smagghe, Simian Mobile Disco, Deepgroove, Shaun Reeves, Bones and Heidi.

Featuring performances from 2020Soundsystem live at We Love – Ministry of Sound London, Ivan Smagghe in the Discoteca for We Love Space and DJ Hell in London also.

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Happy Snaps – We Love… Space 2010 Opening Party

Thursday, June 17th, 2010

Smiling faces everywhere! We call it Aciiied!. All photos by Phrank. Some snaps from our opening party, find the rest here.


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We Love… Space 2010 Summer Preview

Thursday, June 10th, 2010

A short preview of the artwork, music and artists to expect this summer – at We Love… Space, Ibiza. Music from Omar, Henrik Schwarz, PBR Streetgang and Soul Clap & Catz n Dogz as Clapz n Dogz.

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We Love… Recruitment

Thursday, May 13th, 2010
We Love... PRs

We Love... PRs

Over the years the We Love… Space PR position has become the holy grail for the Ibiza worker. Not naming names but some of our past staff have gone on to become a tour manager to one of the biggest names in the game, an international press agent, a superstar DJ, a We Love Space resident, a globe trotting socialite, an international media mogul and an ink cartridge telesales man.

This year we’re starting our recruitment drive a little early and online, so if you’re interested download the application form here and see if you can impress us.

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BLDGBLOG

Tuesday, March 9th, 2010

In other words, forget academic rigor. Never take the appropriate next step. Talk about Chinese urban design, the European space program, the landscape in the films of Alfred Hitchcock in the span of three sentences – because it’s fun, and the juxtapositions might take you somewhere. Most importantly, follow your lines of interest. Finally, I want to reiterate that BLDGBLOG is fundamentally about following, and not being ashamed by, your own enthusiasms, whether or not they are rigorous and appropriate for the academic mores of the day, or even interesting for your family and friends. – Geoff Manaugh

High Houses are proposed as part of the reconstruction of Sarajevo after the siege of the city that lasted from 1992 though late 1995.


BLDGBLOG (pronounced “building blog”… maybe) is written by Geoff Manaugh, it’s subject matter is “architectural conjecture, urban speculation and landscape futures.” Read by millions since its launch in 2004, BLDGBLOG is a leading voice and uniquely futuristic vision, offering and enthusiastic, idea-filled guide to what lies ahead in our built and technological environments. With stunning images and original content, BLDGBLOG is part conceptual travelogue, part manifesto and part sci-fi novel. Under the guise of writing his blog about architecture, Manaugh has crafted a tribute to the world-transforming power of the imagination itself. Along the way, he incorporates some of the most ambitious minds of our time involving everything from urban design to climatology, music, astronomy and pop culture. On reading the blog you start to interrogate everything you take for granted about the environments we create for ourselves.

Arctic glacial core samples


Geoff Manaugh has provided the reader with an excursion into a new world – part digital fantasy, part reality at the intersection of art, technology, design and pure ideas. The blog is personal, idiosyncratic and, best of all, incredibly interesting. It uses architecture as a lens for delving into related aspects of society and takes enjoyable turns into the stretches of imagination. It’s an urban fantasy made from the remainders of a very large equation. The modus operandi of his work – the fervid linking between seemingly disparate realms of emotion, experience and academic discipline feels appropriate for our densely networked, accelerating, neurotically twittering era…

BLDGBLOG.blogspot.com

BLDGBLOG on Twitter

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We Love… Space 2009

Wednesday, January 27th, 2010

A quick look at some of the goings on at We Love… Space this summer courtesy of Frank Weyrauther . For more photos have a look around our gallery.

Summer Delights on the Premier Etage

Summer Delights on the Premier Etage

Unleashing HELL in the Discoteca

Unleashing HELL in the Discoteca

Fun times on La Terraza

Fun times on La Terraza

GRACE JONES!

GRACE JONES!

THE CHEMICAL BROTHERS!

THE CHEMICAL BROTHERS!

Space car park on the closing party

Space car park on the closing party

We Love...

We Love...

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Andy’s Science Lesson – Extra-Terrestrial Shout Out

Friday, January 22nd, 2010

Is there anybody out there?

Is there anybody out there?


As well as loving Space, the nightclub, we also love space, the final frontier. Today’s lesson has a more historical approach as I take a look at some of humanity’s more ‘off the wall’ efforts to make contact with our universal neighbours. For some, the thought of being alone in the universe seems logical, others feel that if we aren’t alone then our neighbours will come to visit us and then there are the people who are actively extending a hand into the cosmos in the hope that it will be greeted halfway. Just how this hand may be construed by extraterrestrial life has been the subject of much controversy; are we extending an open hand of welcome or a clenched fist?
Star Whores

Star Whores


The first radio message transmitted into space was the Arecibo message sent in 1974 and was a small grid of photos displayed as a 23 by 73 grid. Mathematicians amongst you may have noticed that these are two prime numbers, which as we can clearly see from the film Contact are very important in the search for ET. The message is expected to arrive at it’s destination, globular cluster M13, in the year 26,974. Benign as its content may seem to us, there are many people who fear that other worldly intelligence may not read it in the same way. In fact these people believe that even the way in which the message is sent, a radio pulse directed at a certain place, may be seen to have hostile connotations.

In 1986 Joe Davis sent a message to 2 neighbouring star systems, Eridani and Tau Ceti. The content of his messages was subject to so much controversy that after only a few minutes of transmission the project was shut down by the US air force. Davis, an artist and research affiliate at MIT, had become concerned that no representation of human genitals had been sent into space. To remedy this oversight he led the project which would later go on to transmit the sounds of vaginal contractions to neighbouring star systems. In order to ensure the best sound quality Davis enlisted the help of ballet dancers and their toned contractions. Although the messages will have arrived at their destinations in the late 90s we are still waiting on a reply.

Over the next few decades humanity filled the universe with messages beamed at the locations that scientists believe could support life. One star in particular, Ursae Majoris 47, has been subject to a veritable bucket load of intergalactic spam. One notable example came from a group of Russian teenagers led by Alexander Zaitsev who sent an analogue signal of a piece of electronic music recored on a theremin in 2001. Seven years later in 2008 the star was subject to a 6 hour broadcast of a Doritos advert. Earlier in the year NASA had broadcast The Beatles song Across the Universe to celebrate the agency’s 50th anniversary. What must our neighbours think we do with our time here on earth?

The horse head nebula

The horse head nebula


Last year Joe ‘vaginal contractions’ Davis made a come back to the scene with a transmission to celebrate the 25th anniversary of the original Arecibo message. Somewhat unfortunately in my opinion his choice of this subject was not the sound of farting in the bath or something similar, but the genetic code of the enzyme RuBisCo which is used in photosynthesis. Davis, always looking to subvert the system reasoned that being one of the slowest and inefficient enzymes, RubisCo was undoubtably representative of life on earth. It is also worth noting that Davis brought the data to be transmitted by a multi-million dollar telescope on his iPhone.

Whether or not these messages will ever be received and what reactions they invoke we may never know. Not having received any messages ourselves may mean, as many believe, that we are alone in the universe. It may of course mean the we don’t have the technology to accept signals that have been sent to us. One thing is for sure, Joe Davis was sending cunts into space long before Richard Branson.

Joe Davis

SETI – Search for Extra-Terrestrial Intelligence

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11 Questions – Ian Blevins

Tuesday, December 15th, 2009

Blev-dog

Blev-dog

In 2008 theorists predicted the year of the Blevins was on the cards for 2009. Having placed a small wager on this, these theorists are now multi-millionaires. These same theorists are now banking on 2010 being a stellar year for Blevins, and in a boiler-room kind of way are advising you to do the same. Starting his 2009 in the sun soaked Australia, Ian’s gigs took a festival twist playing at one of Australia’s most talked about events, Playground Weekender. Alongside this Ian played at a host of Sydney’s top venues including Ladylux, Favella, and The Loft, including playing on the same bill as Norman Jay and the Unabombers for the Good Times weekend. On top of this Ian was responsible for warming up for Crazy Penis on their Australian tour. Not a bad start by anyone’s standards. Although a good start to the year, the bookies at which theorists had placed there bets would still not concede this to be a true “year of the Blevins”. With this in mind, after a string of hugely successful UK gigs, Ian headed to Ibiza, a place Ian knew he could prove the theorists correct. It didn’t take him long. A residency at We Love… taking in The Premier Etage, the main Terraza and a very special session in El Salon cemented his status as a fine purveyor of eclectic-electronica and earned his backers thousands of Pesetas. With 2009 in the bag Ian’s Ibiza summer was given a proverbial cherry on the top: one of the most coveted sets in Ibiza and hence the world – Space Closing Fiesta, La Terraza. With over 16000 people attending the party, Ian’s set to a capacity room remains a highlight of the event cited by everyone from Resident Advisor to his cat Nyron. With a tour of Asia and Australia about to commence Ian plans to follow the sun down under and we can only hope it brings him back round to us here in Ibiza next summer. The sensible money is on 2010 – Blevins for president of the world.

Ian has kindly provided a mix which he describes as: “I’ve condensed alot of my favourite tunes from this summer that hold special memories of me or more people dancing a little more like a maniac than usual, on beds in beach bars and other interesting locations.” Download it here.

Is there one book that you have read that has been life-changing for you?

I don’t think one book has totally changed my look at life although I do think that each book I’ve read leaves me a little more wiser than before. As far as music is concerned I recommend, “Love Saves The Day” by Tim Lawrence, or “Last Night a DJ Saved My Life” by Bill Brewster.

Blevasaurus

Blevasaurus


Did your parents encourage you to work in music?

No. Im still encouraged to get a “proper” job in fact.

How did you begin to work professionally in music?

I began by dishing out flyers.

How do you apply your past experiences to what you do today?

Learn and grow.

Where is your current studio and what is it like?

My current studio is my laptop, and is pretty basic. The aim is to expand.

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

I’ve had to consider marketing, which is one of the reasons I built my website and try to keep it updated. This acts a good point for anyone to find about myself, mixes, gigs, photo’s etc.
I don’t think I personally have had my creativity affected too much by it [marketing], though it does often take time away from learning further music related subjects etc.

How would you describe your work?

If by this you mean DJing in general. There is not a better job.

Who were your teachers?

Anyone I’ve met with something worth listening to.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

Eaten alive by ants.

You have to make one species of animal extinct. Excluding insects, which species would you make extinct?

Leprechauns or left-handed badgers.

If you could spend one week in any period of history, which period would you choose?

The early seventies at the beginning of “disco” music or back in a decent dinosaur period. Jurassic or Cretaceous. Dinosaurs, plants, trees, huge land masses still joined together. That’s worth a week of anyones time. Nothing longer though.

Ian Blevins – DJ Profile

Ian Blevins – Official Website

Ian Blevins – Myspace

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Virgin Galactic Unveils SpaceShip Two

Wednesday, December 9th, 2009

The final front-beard.

The final front-beard

The bearded-one, Richard Branson showed off his rocket-powered space plane for the first time at “Spaceport America” in New Mexico on Monday with a lavish ceremony. SS2 was unvelied attached under the WhiteKnightTwo mothership, which will carry it aloft to 50,000ft before the pair part company and a hybrid rocket engine blasts six SS2 passengers and two astronaut pilots on their sub-orbital joyride. SpaceShipTwo was unveiled after dark to the trance-tastic sound of a space-themed anthem from DJs Above & Beyond. Fittingly titled “Buzz” the track samples Buzz Aldrin’s original moon landing dialogue. The Governator Arnold Schwarzenegger was on hand to christen the SS2 the “Virgin Space Ship (VSS) Enterprise”.

Despite the $200,000 pricetag for a Virgin Galactic passenger seat, one may note that the rocketplanes won’t carry their customers into orbit: they are only capable of achieving a brief ballistic arc outside the atmosphere before inevitably falling back in. However, there are also drawing-board plans to use WhiteKnightTwos as launch platforms for rockets which could lob small satellites into actual orbit. Some will claim that the SS2 is really only a thrill ride for the (extremely) wealthy, and can never be anything more. But its also a good start to a fledgling industry, that will, incrementally improve performance until orbital spaceflight (immensely more difficult), becomes more common place. The WhiteKnightTwo is also being put forward as a launch platform for orbital rockets, for transport etc, so already the project is bearing fruit in other areas. It’s a good thing that the Beardy Branson has built this – it’s a start to an industry that should yield important benefits. Yes it’s an expensive toy only for the rich – but so was flying 60 years ago.

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