Posts Tagged ‘Photography’

A Week In The Life – Winter Ibiza – Andrew Livesey #9

Monday, January 17th, 2011

The traveling wilbury returns from a festive jaunt back in the UK to his beloved Balearics. Snapping (and shooting) along the way this edition takes the liberty of stretching a week into a fortnight.

Leaving the office in capable hands

Leaving the office in capable hands

Bonar 'Feedback Loop' Bradbery

Bonar 'Feedback Loop' Bradbery

The Leeds Massive

The Leeds Massive

SMD at MOS on NYD

SMD at MOS on NYD

Rambling On

Rambling On

Dawn Delights

Dawn Delights

Deepgrooves on the beach

Deepgrooves on the Beach

Roast Crew

Roast Crew

A Week In The Life – Winter Ibiza – Andrew Livesey #8

Tuesday, December 14th, 2010

Winter is in full effect, the bosses have left on their annual pilgrimage, the fires have been lit and Christmas plans have been hatched. Andrew soldiers bravely on snapping away as he ambles though his Balearic back yard.

Ibiza Jade

Ibiza Jade

Andromeda

Andromeda

Field Day

Field Day

Life's A Beach

Life's A Beach

Keep The Fires Burning

Keep The Fires Burning

Baxter's Birthday Bowling

Baxter's Birthday Bowling

Saturday Sessions

Saturday Sessions

We Love... Christmas Lunch

We Love... Christmas Lunch

Marwencol

Tuesday, November 23rd, 2010

Welcome to Mark Hogancamp’s Marwencol.

‘After being beaten into a brain-damaging coma by five men outside a bar, Mark builds a 1/6th scale World War II-era town in his backyard. Mark populates the town he dubs “Marwencol” with dolls representing his friends and family and creates life-like photographs detailing the town’s many relationships and dramas. Playing in the town and photographing the action helps Mark to recover his hand-eye coordination and deal with the psychic wounds of the attack. When Mark and his photographs are discovered, a prestigious New York gallery sets up an art show. Suddenly Mark’s homemade therapy is deemed “art”, forcing him to choose between the safety of his fantasy life in Marwencol and the real world that he’s avoided since the attack.’

Doll Face

Doll Face

The above pictures come from the story A Trip To The Store, a personal favorite of ours along with the Legends series.

I CAN SEE PIXELS

Thursday, November 18th, 2010

With almost everyone having a cell phone and thusly a camera, everyone in public runs the chance of being visually documented. A more populist, mob version of the 1984 that George Orwell predicted. People may start to “act” all the time. This is extreme and presently unlikely. But has the complete ubiquity of cameras – not as cameras, but as part of something else (a phone) – given photography as art, or otherwise, an even longer tail than before? – Gabriel McIntosh

Jörg Holtkamp - Düsseldorf/Germany

I CAN SEE PIXELS is a new (the first issue has just been released) online pdf based magazine all about mobile phone photography. Contributors for the first issue are from places as diverse as Malaysia, Philippines and Germany. Featured photographer Jonathas Mello explains the attraction of cell phone technology, “With a cell phone we have much more opportunities and angles to take pictures. Even at a bus trip, when bored somewhere or at an unexpected sunshine we have cell phone and digital memory to experiment new approaches to a theme.”

Shawn Rocco - Raleigh/USA

There’s also contributions from other curators of online mobile phone photographs such as Cellular Obscura and Garden Apt. Gabriel McIntosh of Garden Apt contributes with a lengthy interview on the low-fi/hi-tech combination, “The photographs are even truer to life than more accurate and precise photographs made with more tradition tools. It is in a sense reality photography, like reality television. Mobile phone photography becomes cultural hi-fidelity due to it’s very perceived authenticity and yet, simultaneously low-fidelity because the images are pixilated and of low technologically quality.”

Jonathas Mello - Florianópolis/Brazil

We’ve got our own budding cell-phone shutterbugs which you can check out here. Download the first issue of I CAN SEE PIXELS, here. Below, a cameraphone photo of a dead bird run through nine Photoshop filters.

A Week In The Life, Spring Ibiza – Andrew Livesey #7

Thursday, June 3rd, 2010

The chronologically minded among you may spot a few continuity errors encapsulated in Andrew’s selection this week. You may know that the Ibiza Medieval Festival does not fall within a week of the IMS and Space opening party, however Andrew assures us he only slept 7 times betwixt beginning and end of capturing these photos and refuses to be constrained by humanity’s notion of ‘days and weeks’.

Getting Stoned

Getting stoned

Meat and Greet

Meat and greet

Sea for Yourself

Sea for yourself

Summit a bit Special

Summit a bit special

Life's a Beach

Life's a beach

Theendofthebegining

Theendofthebeginning

Flat Out

Flat out

Polarama

Monday, April 19th, 2010

Bit nippy

The polaroid is a “throw-away” but what exactly does it offer us? Is it the same as all other kinds of photographs? What happens to the photographer if they can see the result of their intuition or reaction or sight of an event immediately after it happens? What effect does all this have on the subjects being photographed?

In continuation of our highlighting some of the best online magazines around, today we look at a more academically focused but still stylish and emotive publication which goes by the name Polarama. It’s a visual journey of photo essays and writings on the subject of “integral” photography – instant cameras such as the Polaroid as well as comparable Fuji products are explored by image and text and considered as valuable mediators between (technologically obsolete) analogue production methods and (ever evolving) digital technologies.

Blocks


As well as collections from different photographers there is an essay with a Barthesian reading of integral photography – a scholarly and esoteric yet engaging piece of writing. Currently in the inaugural publication, download issue numero uno, here. The magazine is open for submissions, so feel free to get in touch at the Polarama website. The next issue will concern: Polaroids of TV/computer screens, Polaroids of/about film, Polaroid/s and the moving image. The theme is, as ever, open to wide interpretation. That the work should relate and engage with the medium in some way is the important point here. 

A Week In The Life, Winter Ibiza – Andy Baxter #2

Wednesday, March 17th, 2010

Continuing our theme from Livesey’s excursion it looks like Andy Baxter has been far and wide this week. From Ibiza to Andorra to Shirley and back again. Make sure you check out his “Individualism” mix he has graciously provided for us which in his own words is an “annual musical concept that is reflective of the sounds I enjoy listening to in my own home”. Check it out here. And watch out for that pepper!

This is me after Andorra

And during

The G-Man and I have been smashing up the funky room of late

Lovely snow in my home town of Shirley

Bubble & Squeek, a great start to the week

I was left for dead after putting pepper on somebody's dinner...

...and then she set me free

Invisible City

Tuesday, March 16th, 2010

Invisible City Issues 1 - 6


Invisible City is an online magazine in the vein of Cuemix and Romka which we have featured previously. It’s an online magazine in .pdf format showcasing contemporary art and writing by emerging artists from Australia and around the world. Each issue explores a contemporary theoretical idea through images, poetry, creative and critical writing. It’s curated and run by Marlaina Read, an emerging artist from Sydney. You can read her honours paper here. It’s a good read if you are interested in the super-modernity of post-industrial non-places such as airports and how to travel and take photographs which convey a personal, reflective intimacy for distances travelled and places seen. She’s also got a blog, so you can check out her more personal and rarefied musings there.

Each issue covers a different topic, such as blindness, mapping or bodies (in issues 3, 5 and 4 respectively). It’s free to download and definitely worth a look so we’ve compiled the first six issues for you to download here.

Download – Invisible City Issues 1 to 6

Invisible City – Official Site

Marlaina Read – Official Site

A Week In The Life, Winter Ibiza – Andrew Livesey #4

Wednesday, March 10th, 2010

This week’s winter Ibiza snaps do not strictly stay true to their core. Our resident gastronome Andrew Livesey was on a fact finding mission in Barcelona combined with a bit of a birthday bash. Things turned a bit weird evidenced by some of the pictures he sent but Andy has asked to use the most parent friendly selection as possible as he is sure his mum reads the blog.

Going underground

Going underground

Friends and Familia

Friends and Familia

Sight seeing

Sightseeing

Flash photography in Razzmatazz

Flash photography in Razzmatazz

Liquid lunch

Liquid lunch

Cake Club goes mainland

Cake Club goes mainland

Airport blues

Airport blues

Kitra Cahana

Monday, March 8th, 2010

When I first started photographing four years ago, photography was less product oriented and more about developing a perspective of the world. I was drawn to the personal meditation I found therein. Photography gives us a chance to reframe the viewfinder and thus reframe the way we think thoughts about the world. Walking through an exhibit, I decided to use photography as the medium to develop self. I singled out qualities that I hoped to embody and began to photograph them. A month was given to only photographing joy, the following month to sharing. I found in the end that the images were all identical. But I wasn’t. I think all art has the power to transform. Eventually my interest in the image itself and my interest in photojournalism began as I realized the potential of turning reality into art through recognizing the beauty that exists (even in the most horrific of circumstances). – Kitra Cahana via. Eight Diagrams

Kitra Cahana is a young emerging documentary photographer who had an early start in her career when, at the age of 17, while photographing the Israeli Disengagement from Gaza, one of her photographs landed on the front page of the New York Times.

Resistance in Gaza - through tears by Kitra Cahana


I went down to Gaza on a whim with a fellow photographer. I had a flight scheduled to go home to Montreal for the following week, but failed to show up at the airport when I realized how significant it would be both personally and professionally to stay in Gaza. Without a plan or a press-pass (because I was 17 and too young) and with little more than my camera body, I found a lot of support with the photographers who were already based in the settlements. I was able to fully learn from the outstanding photographic sources living around me without the stress of working for somebody. The Disengagement was the first major story that I found myself in the middle of. There was no way I couldn’t have done it. When I was first trying to convince my hesitant mother that I needed to stay, I just said: “This is something I know I have to do,” and she understood. – Kitra Cahana

She worked as the Thomas Morgan photographic intern at the NY Times and later received a one-year scholarship to live in Treviso, Italy working at Benetton’s research communication centre, Fabrica. During that scholarship she worked on stories around the world on Pacific Islands of Vanuatu and Niue and in Africa in DR Congo, Ethiopia and Kenya.

GONDAR, ETHIOPIA- JUNE 18 : Deregee Tegene (10), wrapped in a traditional Jewish prayer shawl, attends early morning Jewish prayer services at the NACOEJ compound, during a visit from Western philanthropists, on June 18, 2006, in the Northern Ethiopian town of Gondar. The North American Conference on Ethiopian Jewry is an American based Jewish organization that fights for the plight of the Falash Mura to re-establish their home in Israel. They also provide aid and try to educate those Ethiopians waiting for the Israeli government approval to immigrate to Israel, how to practice Judaism. (Photo by Kitra Cahana/Getty Images)

Gondar, Ethiopia by Kitra Cahana


I recently returned from an independent project in Ethiopia and Israel where I photographed the Falash Mura, a group of approximately 12,000 impoverished Ethiopians, who are immigrating to Israel under the auspices of the Israeli government. The story itself is fascinating and has many political as well as humanitarian aspects to it, which has challenged me on multiple levels. It has forced me to take time aside and meditate on my story and its flow. While unsure of my outcome, I am more understanding of the process of story-telling and the conflicting responsibilities that a story can pose to the narrator. – Kitra Cahana

She recently won 1st prize in the prestigious World Press Photo’s Art and Entertainment section for her work with Colors magazine. Rainbowland shot by Cahana for Colors 76 – Teenagers documents The Rainbow Family, a non-hierarchical group that holds free gatherings around the world.

Rainbowland by Kitra Cahana


I’ve sat through a lot of lectures distracted by the interesting light that falls on my professor’s face. But distractions aside, I find that being a student has allowed me the space to think about photography. To not only look out into the world for vision but to also look inwardly and bookwardly for understanding. I think the school year gives a nice balance for the growing photographer. The school year is devoted to reflection while the long, juicy, passion-filled summer breaks are devoted to story making. I appreciate being able to take my time developing an emotional maturity before taking on a full-time career. – Kitra Cahana

In July 2009 they brought 25,000 people together for a week in the wilderness in New Mexico, U.S.A. Kitra was there for Colors. It’s a great edition dedicating itself to the ambitions, dreams and defeats of teenagers in the rest of the world – to their choices, their body, their relationship with themselves and others – to the looks and dilemmas teenagers face, the society they grow up in, the tribes and groups they join or align themselves with.

The Rainbow People by Kitra Cahana


Knowledge is a tool that is wholly empowering. It gives us a context to see what is in front of us and the ability to live on multiple levels. That translates into the ability to create layers in photographs and to make use of symbols that can turn a normal image into a historical or religious reference. So far, studying has only broadened the number of stories I want to photograph and the depths to which I want to cover them. It gives me the language to speak about my images and the ability to refer meaningfully to what it is I am doing. – Kitra Cahana

Kitra Cahana – Official Website

Kitra Cahana Interview with Eight Diagrams

Fabrica Communications Research Centre

Colors Magazine