Posts Tagged ‘Leeds’

Ralph Lawson’s Basic Vision

Wednesday, November 23rd, 2011

image by So Hasegawa

Ralph Lawson is considered an integral part of the We Love family in Ibiza as perennial resident, compilation producer and come closing time an all round force-unto-himself. It’s testament to this affable character that he was a founding father of his own institution of Back to Basics in the heady days of 1991 with Dave Beer and Alistair Cooke in Leeds, West Yorkshire. The resilience of the club speaks for itself with a virtually unopposed claim to being the longest running club night in the world.

To celebrate an astonishing 20 years at the top, Ralph has put together a blog with all the care and attention the moment requires. He will release mixes from different eras at the club, the first of which up is the>music:factory years including the first ever record played at Basics which happened to be auspiciously superb.

The sleeve notes section is the most distinctive part of the blog – more than just a tracklist it’s an encyclopedia of the UK scene told through the records which defined it. This should find favour among heads from back in the day as well as current jocks looking to bring a few bona fide originals into their crates.

Memory can be a strange thing especially in this night life we inhabit. However, Ralph shows here that only with a respect for the past can we look towards our optimistic future. In his own words, “The world doesn’t need another music blog telling you, ‘who the coolest bands are’ or ‘what the coolest new music to download is’ so I won’t bother. I do hope you’ll find it interesting and a useful tool for uncovering lost gems as well finding new experiences.”

The Music Factory Years 91-94 part one by ralphlawson

Visit ralphlawson.co.uk.

We Love Winter Parties

Thursday, January 13th, 2011

Brand evangelist Andrew Livesey spent his winter with a camera phone, watch out Werner Herzog! Featuring clips from We Love parties in Newcastle, Leeds and London. On collecting his Emmy, he’d like to thank everyone at Jaunt> / Cleer, Asylum / Backtobasics and all at Ministry of Sound, for showing him such a right nice time. The track is Sandwell District – Double Day.

Greg Wilson – Living To Music

Thursday, January 6th, 2011

Above you can stream or download Greg Wilson‘s set from our We Love Leeds night held on New Year’s eve. It’s a party mix in the truest sense of the word with exclusive edits a plenty. While you listen, take a read below of Greg’s philosophy of the importance of “living to music”. In our accelerating post-everything age the idea of sitting with friends and listening to an album from start to finish may seem quaint and romantic but Greg puts across a great case for an enriching experience which is both communal and individual. If you make a New Year resolution this year, it should probably be this.

Reel-to-reel-to-reel-to-reel-to-reel...

It all started with a quote from a Seattle based underground music paper called Helix in 1967: “I wake up in the morning and do a Masters Voice thing in front of the speakers for a while; then I go outside. Music defines a total environment. Straight musicians understand that kind of involvement, of course; but you can’t really communicate to the outside how a hundred thousand children of muzak freaks who in most cases never bother to study or even think about music, are involved in a single art form to the point where they virtually stake their entire sanity on it. Go to a house and someone hands you a joint in front of a record player and it’s assumed that you’re going to sit for a couple of hours, not talking, hardly moving, living to music.”

Read the rest at Greg’s insightful blog, here

Burnski @ We Love… Asylum / Backtobasics – Leeds 31/12/10

Tuesday, January 4th, 2011

By all accounts a great night up North. However, we’re aware that some of you (Fatneck) chose to spend all night the in upstairs room with disco doyen Greg Wilson, the boogie boaters PBR Streetgang and er… Fatneck.

Worry not though fellow disco lovers if you missed out on the house house and more house provided by Heidi, Tristan da Cunha, et al in the main room. Backtobasics resident Burnski has recorded his set, featuring his own productions as well as some up-front sounds from the likes of Subb-An. It’s pretty much that quintessential house sound of the moment, looking back whilst always being innovative with labels such as Hypercolour, 2020Vision and even Morris Audio being all over this jackin’ type of racket these days.

Available for stream or download.

Follow @Burnski_ on twitter.

We Love… New Year’s Celebrations

Thursday, November 18th, 2010

Traditionally New Year’s Eve serves as a time for reflecting on the year gone by, but also as a chance to look ahead at what’s yet to come. For We Love… this sentiment could not be more true. With a double header of parties over the Hogmanay weekend, in Leeds on New Year’s Eve and London on New Year’s Day, we have invited some of our favourite guests from the summer parties here in Ibiza to kick start our winter activities.

We Love... Leeds

We Love... Leeds

For New Year’s Eve we have teamed up with local party starters Asylum and BacktoBasics for some acid house festivities at Stinky’s Peep House. Headlining the event the Radio One’ “in new djs we trust” and Get Physical heroine Heidi will be bringing her Terrace sounds to the slightly less Balearic vibes of the West Yorkshire Pennines. Having wowed us at Space this summer it’s a pleasure to bring Heidi to this overseas event. Let’s see how her sound translates from the hallowed Space Terraza to the infamous Basics basement. The rest of the main room’s activities will be overseen by We Love… resident Jem Haynes who can’t celebrate too hard as it’s off down to London the day after where he’s bringing his label Loop Recordings to the Ministry of Sound second room. Adding the Basics touch, Buckley will be making his return to the We Love… fold after a 3 year hiatus.

The middle floor of Stinky’s will be taken over by Local lads Burnski, Tristan Da Chuna, James Holroyd Jon Woodall and Frenchy who have proven themselves countless times and are sure to celebrate in style.

Orchestrating proceedings will be PBR Streetgang; having slipped so gracefully into their role as Terrace residents this summer, it is only thanks to their help that we can put this party together. Asylum has been a Leeds institution for over seven years and we cant think of a nicer set of folk to bring in the new year with. Joining PBR Streetgang in the top room will be disco boogie doyen Greg Wilson, something not to be missed. And we are now pleased to announce the special late addition of Kitchen Sink Disco king Jamie Fatneck.

£15 Early Bird tickets here

Then its off to bed, or perhaps not, before jumping on the train, plane or automobile and heading down to London and the Ministry of Sound.

We Love... London

We Love... London

If we are to believe the Mayans, then come New Year’s day we only have one year left to live. What better way to start the year then, than with three of our standout summer residents stacking up in the Ministry Of Sound main room? James Zabiela, Simian Mobile Disco and Joris Voorn have all excelled on the Terrace and in the Discoteca this summer but this is the first time we’ve managed to get them all playing in the same room. Expect a masterclass in house, techno and technical wizardry.

The 103 bar plays host to We Love residents Mat Playford and Jem Haynes along with his Loop Recordings partners Ian C and Martin ‘Smut‘ Wood. Over the summer Mat and Jem went beyond the call of duty at our summer home Space and away on our international events, proving why they are the most in-demand touring residents on the We Love roster. Jem’s closing Terrace set on the night of Spain’s World Cup victory was one of our summer highlights and Mat’s impromptu warm up for Groove Armada at Ministry impressed so much he’s been called back for each and every tour since. This will also serve as a jumping off point for the infant Loop Recordings, the brain child of Jem, Ian and Martin. Having introduced their label to Ibiza on the Sunset Terrace this summer where all three performed side by side, it’s now time for London to see what they have to offer.

£15 Early Bird tickets here

Interview with 2020 Vision’s Ralph Lawson

Wednesday, September 22nd, 2010

By guest writer Jonty Skrufff.

The one man stag-do


“It’s all about new ideas. Those with the best ones will win.”

Living his entire adult life in club culture and chatting to Skrufff just hours after finishing a three day long Balearic bender, 2020Vision chief Ralph Lawson might be expected to be more than a little grumpy though fizzing with enthusiasm and élan, he’s both energetic and remarkably lucid.

“The weird thing is I have always been able to stay up,” he chuckles. “I have massive adrenaline levels, in fact, I have far more problems going to sleep than staying awake.”

His latest trip to Ibiza has been to headline 2020Vision’s closing party for We Love Space, his last in a season of bashes that have seen him packing out the main dance-floor of the legendary Ibiza superclub each month. After each event, he’s handed out free We Love Space 10 / 2020 Vision mix CDs and label compilation he’s mixed with tracks from 2020Vision signed artists including Crazy P, Simon Baker and Audiojack.

The idea for the giveaway came from We Love (‘I jumped at Mark Broadbent’s offer for the We Love CD’, he admits) and is one of the new concepts he’s hoping will help his label prosper as music sales continually shrink.

“We pressed 11,000 copies and have around 1,000 left still to give out this week and next,” says Ralph, “For a comparison, in 2007 I mixed Fabric 33 which did 12,000 so it’s about the same in terms of numbers. Compilation sales five years ago were in a different league but those days are gone. Mix CDs are lucky to sell 2,000 (units) now. Why would people buy them when they can get podcasts for free? But you have to move with the times rather than get angry about it. It’s like King Canute ordering the sea to go back, it’s not going to happen,” he predicts.

“I gave out a bunch more after my set finished last Sunday and people were biting my hands off for them, if anything I could have done with more,” he laughs.

“I suppose we’ll only start to see the full effect over the next year and see if I am suddenly the next Luciano and We Love is bigger than God. Joking aside I have had amazing feedback both personally and on the internet so I am just glad if people are happy and have a memento of their night to keep for ever.”

Skrufff: What’s been your impression of Ibiza 2010 compared to earlier years?

Ralph Lawson: “I must say I have really enjoyed this summer. I have been lucky to have the monthly We Love residency and every single one has been great although June was perhaps slower due to the World Cup. Personally I love September, my favourite gig was my last one. The crowd are the real deal by this time of year, the hardcore. I went out to DC10 and Cocoon on Monday afterwards and both were packed, with good music as well. I ended up at Ibiza Rocks on Tuesday which was sold out for their closing party. I also played at the Underground in the summer which I love and we did a 2020Vision label show at Zoo Project which went great. So I think overall it’s still very positive for the Island.”

Skrufff: The last time we chatted in 2006, you talked about scaling back from 3 day marathon after-parties (“People don’t realise how much it takes out of you, when you’re partying, time is a different thing, hours pass like minutes and before you know it, it’s fucking Tuesday, then it takes you two days to recover, then it’s the fucking weekend again’): 4 years on, how much does it remain a temptation to get lost in party adventures? When was the last time?

Perfect vision

Ralph Lawson: “Ha Ha, it’s a bad day to ask me as I did go for a full three-nighter this week but hey it was my personal closing party. And yes I feel terrible today. I have been a good boy recently though and mainly concentrating on my work. I have a lot to do in the week. Everyone goes to Ibiza to let their hair down and I’m no exception, if there’s anywhere I will fall off the wagon, it’s there.”

Skrufff: How much has being work focused and less known for being a party animal changed the way people treat you? Have you ever felt not in synch with revellers: or uncomfortable by people caning it around you?

Ralph Lawson: “I think it’s hard to get rid of your reputation, my nickname in Ibiza is ‘stag-do’; because I’m the quiet one who is actually the worst when let out to play. Music keeps me very high. I still love it. As soon as I’m playing music, I’m in the zone and people know that, I don’t have to prove myself by taking every drug on the planet. I know which ones work for me and they are all the mellow ones. I need calming down not revving up. I really don’t mind what anyone else does at all though. The only thing that bothers me is if people try to shove stuff down your neck and get offended if you refuse. People have to respect personal choices.”

Skrufff: Talking about when you were DJing in the early 90s living in a farm outside Leeds, you recalled finding Hopefield Farm when you were homeless, splitting it between 3 of you for £400 in the 90s: sounds like you were quite happy despite being nearly penniless: how broke were you and how long did it take you to turn DJing into a lifelong career?

Terraza

Ralph Lawson: “I would never be so glib as to suggest being skint is fun. It’s not at all. We happened to get a great deal on the place at the time and made the most of it. I have definitely missed out on the big money some of my contemporaries have made as I’ve always been a resident at Basics where we started getting £30 a week and trying to get it up from there. I don’t think I’ve had a pay rise for over 10 years there. I think I was naive as to what other DJs were getting paid as I just wasn’t in that scene. Of course now I get paid OK when I guest and can’t complain. I have never had to work outside music since 1991 and I don’t plan to so it’s a constant hustle. Maybe I’ll finally be in the big money in the coming years, I actually believe I deserve it, especially when I hear some the guys who get paid up to 10 times more than me.”

Skrufff: What was the closest you came to quitting music and getting a straight job (was it ever an option you seriously considered?)

Ralph Lawson: “Yes I did consider this at times over the years though never for very long. Usually on days like today.”

Skrufff: What do you see the key role of 2020 Vision is these days: how much is it about marketing- and branding your acts as opposed to selling physical units (digital or otherwise?)

Get it while it's hot

Ralph Lawson: “Our key role is to put out great music. Our job now is to find ways of doing this that still create a revenue stream for the artist. For me it has become more about playing live shows and gigs as that is the only place people can’t steal your work. It’s you up there, doing it. Your experience, your skill, your music. There has always been bootlegging since records were invented but now we have a format that is so easy to copy it has got out of control.

It is possible that in the future someone will invent a format that is harder to copy but right now it doesn’t exist for public use. Until then we are focusing on building 2020Vision live. We recently did a sold out show at Village Underground in London for 1000 people with 300 unable to get in outside. That’s gotta’ be a wake up call that I am heading in the right direction with a good crew of artists.”

Skrufff: How much do you see yourself as a brand?

Ralph Lawson: “I was always uncomfortable with brands as such. It reeks of marketing jargon. I also think kids can see through companies that are all about their brand with no substance. Of course you have to build your name but substance has to come first. I prefer to look at it that way.”

Skrufff: How much do you believe in visualising success? Do you (and have you always) been- and felt- lucky? Well? Do you?

Ralph Lawson: “I was lucky at the start because I was in the right time at the right place with the right records. Everything since then has been hard graft. As I grow older I am more and more believing in the visualising idea you suggest. But what’s more important is not thinking or talking about it but doing it.”

Skrufff: What’s been the greatest mistake you’ve made?

Ralph Lawson: “Not signing Trentemoller when I had the chance. That still pisses me off. I should have listened to my instincts which were right and not the track he sent which was wrong.”

Skrufff: And what’s been the greatest obstacle you’ve overcome?

Ralph Lawson: “The deaths of my girlfriend and DJ partner in 1993.”

We Love Space Sundays 10 / 2020Vision summer 2010: mixed by Ralph Lawson is available from various outlets in Ibiza (and almost certainly at We Love’s closing party this weekend (Sunday September 26th).

If you are not one of the lucky ones being in Ibiza for the closings you can get the cd on beatport as well.

Ralph Lawson DJ Profile

PBR Streetgang – The Cutting Edge Of An Evolutionary Dead End

Thursday, September 2nd, 2010

DJ and production duo PBR Streetgang have recorded a mix that despite its title is pretty pioneering in bringing various strands of forward thinking dance and electronica under their home-grown banner of digital disco. They’ve been giving it away to friend and foe alike during their summer residency on the hallowed terrace here at We Love Space, and is a decent representation of what you could have heard from them there. Like last year, the boys tend to hold off producing too many mixes and prefer to put out only two or three maximum per year. This means it’s all about the sound and less about banging out fresh tunes. It’s as perfectly suited to cruising round the salt flats of Salinas at sunset in a Land Rover as it is to boogieing around a swimming pool at dawn with vodka limon in hand.

Darwinian Disco

You can download the mix below, but if you want a copy including this lovely artwork you’re gonna have to show up at one of their shows and ask nicely for the strictly limited promo only copies. We questioned them earlier on the usual stuff… time travel, animal extinction, etc… give it a read while you listen. Enjoy!

We Love Space 2020Vision Summer 2010 – Mixed by Ralph Lawson

Monday, June 7th, 2010

Perfect vision

As always we love to spread the love. This summer a free compilation album will be handed out to visitors in around our venue to showcase talent and tunes from the formidably enduring label 2020Vision. Based in Leeds, owned and operated by Ralph Lawson, his team of dedicated and genuine music lovers have shaped the imprint into one of the most respected house labels in the world. Since it’s inaugural pressing in 1995 the label has achieved it’s status of quality and consistency from the point of view of both artists and the record buying public alike. At We Love we are delighted to have not only a talent such as Ralph, with a label so prestigious as 2020Vision at our disposal to compile this compilation – but also from a promotional point of view being able to provide you, our patrons, an objet d’art at no cost to yourselves is such a simple but effective way to give something back. As Mark says: “Simply the best promotional tool we have used in years, a back page advert in popular monthly music press is around £4000 and 10,000 fully finished CDs costs around £3500 delivered. Do the math.”

Ralph will be playing for We Love on the renowned Space Terrace in Ibiza on June 20th, July 25th and September 12th. There will also be a special appearance from Ralph’s live project when he will roll into Space along with Danny Ward, Fernando Pulichino and Julian Sanza in the form of 2020Soundsystem on the 22nd of August. Their album Falling released last year struck the demanding task of a cross-over electronic album being a clear picture, a representation of the artists involved, a “thing-in-itself” and balancing that with enough dancey, trackey elements for the underground to fall in love with it. We’ll leave it to Ralph to explain how the We Love 2020Vision mix came about and his thought process behind the selection…

“The label mix album came about as an idea from Mark Broadbent from We Love last year with the first one featuring Steve Lawler and Viva. It worked out well for everyone as it profiles the DJ who mixes, their label and also provides clubbers with a soundtrack to their night at Space as a present. I have worked for We Love for many years but in the last couple of years it has really started to click for me on the Terrace. I think firstly there was a move towards my style of House music in recent years and secondly I have enough experience under my belt now to know how to play it and get it going off. It is always a high pressure gig playing at We Love and it takes quite a few attempts to learn how to do it right.


Label compilations are very very hard mixes to do. For a start there are fewer tracks to choose from on a normal mix and also you have to represent as many of your artists as possible which further tightens the selection. Then they have to be put together into a smooth flowing mix! Not an easy challenge. I also wanted it to be as fresh as possible so I chased up producers for exclusive up front material. I also had the idea to include a couple of my favourite remixes from Blaze and Layo & Bushwacka so I had to ask permission for those. As 2020Vision is all about having ‘perfect vision’ we include many styles on the label and I needed to highlight this. The CD starts with Nu Disco from 2020Soundsystem and Crazy P which is actually much slower than House so I worked in tempo changes. It then picks up the pace into House and some more techier moments before leaving people with ‘Lovelee Dae’ by Blaze as a kind of happy last tune to go home on.


That was from the label perspective. I also needed to keep an eye on what works for We Love so I had a rule that all the tracks had to be playable at Space on Sundays. I picked a couple from the last year or so that were big for me on the Terrace last year such as Art Of Tones – Call The Shots and Mark Broom – People. Then I included ones I know I will be busting this year that aren’t out yet like Audiojack – Motion Sickness and Simon Baker – The Trick. I Imagined arriving at Space and heading upstairs to the top floor for a drink on the roof before where I could hear a tracks like ‘Ocean’ and then ‘Love on the line’ before heading down to the covered Terrace as the House starts to thump. A big turning point in the mix is the Radioslave track which is an epic production under his Panorama Garage moniker. As I was mixing the album I visited Berlin with Mark and Sarah Broadbent and we went to Panorama and Berghain. As luck would have it Matt Edwards (Radioslave) delivered his track for the album as I came back to the hotel and I put it straight on the headphones in my hotel room. After a night at the infamous club it totally hit the spot and I listened to it about 5 times in a row enjoying it more each time. Of course it had to go the CD and it marks the moment at a night at Space when the crowd is now ready to go and needs the beats tougher. The strings give a classic feel to the mix and really stand out.


I have a rule that I have to DJ my mixes live. I just feel they are more spontaneous and have a more natural feel that way. I can always tell when they have been pieced together one track at a time. I used Traktor Scratch pro to try mixes and then used Ableton on an Allen and Heath 4D to do the final mix but on the jam page so I could still DJ it. I did it like that so I could edit afterwards. It was recorded at 2020HQ in Leeds.” Ralph Lawson

Ron Basejam – Is The Word (PBR Streetgang Remix)

Wednesday, May 19th, 2010

It’s not often we feature a single track on our blog. But today we make an exception to this hard and fast rule for our friends PBR Streetgang. Imagine an ambulance driven by Stevie Wonder while Leeds youths hurl tambourines and hi-hats at it (maybe Moodyman is in the passenger seat barking directions). The original is by Ron Basejam, a master of modern syntho-funk, spaced-electro and boogie-house whilst still capable of firing jazz missiles from the back burners. The track is currently riding high (that’ll be number one album and single on Juno Download) but for some daft reason the PBR mix is only available on the generally funky / US house website Traxsource. It’s already getting serious airplay from the likes of Greg Wilson and Giles Peterson, so grab it while it’s hot.

You can check out PBR Streetgang at We Love… Space June 20th, July 18th, August 15th and September 26th, be assured they will drop this! Check out the video below for some Yuletide fun with PBR Streetgang and Ron Basejam aka James Baron in Leeds, with pies.

11 Questions – PBR Streetgang

Wednesday, January 20th, 2010

Head and shoulders above the rest

Head and shoulders above the rest

Bonar Bradberry and Tom Thorpe make up the boogie boat that is the PBR Streetgang. They are one of the most interesting and underrated collaborations around, earning respect across the spectrum, from Crazy P and Greg Wilson to Nic Fanciulli and Ralph Lawson. Their unique musical approach threads paradise garage disco and deep grooving techno seamlessly and never failing to connect with the crowd. Over the last five years of their partnership, they have evolved into a show that flows from Ableton to vinyl and back again. These sets are a trademark sound of their northern home of Asylum in Leeds where they have played hosts to everyone from Theo Parrish and Danny Krivit to Steve Lawler and Luciano. They have left their mark on festival circuits everywhere from Australia to Ireland.

Last summer saw a full schedule form the bright lights of a Glastonbury debut and the Garden Festival Croatia and their dates for We Love… Space in Ibiza for the second year running. Although perfectly adept at expressing themselves on the ‘ones and twos’ they have also developed their studio craft, with their first releases on Ilija Rudman’s Red Music label being followed up by a major remix of Crazy P’s ‘Love On The Line’. They’ve some brand new tracks out on Future Classic & DJ History and have more to look out for on Wolf Music and YamWho?’s new label ISM later in the year. Check out all that with PBR Streetgang on Juno.

Whether it’s gigs or releases, this is a boat trip you shouldn’t miss. The questions are answered by Bonar Bradberry…

Is there one book that you have read that has been life-changing for you?

Probably a couple but the one that has had the most effect I guess, even though its slightly clichéd, would be Catcher in the Rye by JD Salinger… that and the 1986 Beano bumper annual.

Did your parents encourage you to work in music?

No, but they never told me I couldn’t either, my folks have been very cool.

How did you begin to work professionally in music?

I suppose it was when I used to lie about my age so i could start playing in “trendy” bars in Birmingham around 98′ which I would get paid for, so in a sense it started there really.

How do you apply your past experiences to what you do today?

I just always try to learn from mistakes… accept the fact that you have to make a few of them before you get it right… and to take all successes and failures with a pinch of salt.

Join the gang

Join the gang (Photo by Caroline Michael)


Where is your current studio and what is it like?

It’s like a James Bond baddies lair, built into the side of a mountain! I wish… It’s just a little room at the top of my house, that’s cluttered full of random kit and lots of records… but its cosy and i can get a lot done and best of all it has a window from which you can only see the sky… great for clearing your head!

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

I think of marketing in terms of how you present yourself and your music, I have to consider more and more all the time… Which isn’t something I particularly like but if you’re too all over the place then it can be confusing to people and makes it harder for them to “get” you… So being focused to a more specific image and sound can help, but it still has represent your uniqueness, thats the hard part.

How would you describe your work?
A constant pursuit for things that are just out of reach… or
At the cutting edge of an evolutionary dead end.

Who were your teachers?

Without sounding corny, which is impossible I know if I say this, but… nearly everyone I’ve met has taught me something in some way small or large… I learn off everyone and everything… how to and how not to! Sorry i know its a cheesy answer but its true.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

This has actually happened to me twice in the last twelve months, but not all the possessions have been returned. So I’ve given this some thought. I’d probably make them work hard labour everyday on £2 an hour until they had worked off the value of everything they had taken. If however, they returned it all of their own free will (since were speaking hypothetically) then I’d be inclined to much more lenient .

You have to make one species of animal extinct. Excluding insects, which species would you make extinct?

This is a terrible question… er, ok one at random… rats.

If you could spend one week in any period of history, which period would you choose?

The last days of Rome!

Thanks to Bonar for taking the time to answer our 11 Q’s. Also we were kindly invited down to a traditional boozer in Leeds for a Christmas knees up with the lads. We filmed it, because it seemed rude not to! Enjoy…

PBR Streetgang – DJ Profile

PBR Streetgang – Juno

PBR Streetgang – Facebook