Posts Tagged ‘Ewan Pearson’

Ewan Pearson Interview @ Share Conference, Belgrade

Monday, November 21st, 2011

Ewan once claimed to be a librarian trapped in a DJ’s body (surely better than vice versa?) but might now be better described as a DJ trapped in an unmotivational speaker’s body. In this interview for Belgrade’s Share Conference with the multi-talented Tijana Todorovic, the producer/DJ/author/academic takes on imposter syndrome amongst musicians, pop being the hardest thing to get right and the importance of never forgetting you’re a fan.

His discussion of his time in academia writing about dance music through the lens of cultural criticism is particularly illuminating. He also bravely (for a social media and music conference) warns against the evangelisation of technology, “It is both the easiest time and the hardest time in history to make music … Don’t have the expectation that the world owes you a career. Do it, enjoy it, love it.” Listen to the whole thing below.

Kompakt Special with Michael Mayer and Ewan Pearson

Wednesday, September 14th, 2011

This Sunday 18th September, we welcome a veritable godfather of European techno Michael Mayer and our own enduring favourite Ewan Pearson to the Discoteca for a special collaboration between We Love and Kompakt. As part of the collusion Herr Mayer has put together a package of a 4 track sampler EP and exclusive mix you can get your ears around here. Also, check out Ewan’s own We Love mix which you can stream below or download here.

We Love… Ewan Pearson by welove

HearHere and 44 Presents – Ewan Pearson

Monday, October 18th, 2010
Sandwhich maker extrodinaire

Sandwhich maker extrodinaire

This one is for all our Mancunian brethren out there. HearHere have been putting on parties in Manchester for a few years now, throughout which they have had a fairly eclectic mix of guests to say the least. From the ‘new Jazz-Pop’ sounds of The Portico Quartet to the ‘UFO grindcore’ of Otto Von Schirach, they even managed to squeeze a We Love… resident in there in the Form of Ian Blevins. Next Friday sees another two We Love… favorites take to the helm; Ewan Pearson and Andrew Hung. Ewan’s two sets for us this summer at Space were true highlights and to see him in a venue like the Soup Kitchen would be a real treat. (Incidentally for anyone who doesn’t know the Soup Kitchen, you need to get to know; great for a pint on a rainy afternoon.) Supporting dance music’s most well read DJ will be Andrew Hung, one half of the spectacular Fuck Buttons. If his taste in music is half as good as the music he makes then his DJ set will be twice as good as anything you’ve ever heard. Check the video below to see Ewan in action at Space as he describes his trade secrets.

A Summer In The Life, 2010 – Andrew Livesey #8

Wednesday, October 13th, 2010

And they say nurses have it bad… This summer our roving brand evangelist Andrew Livesey took to the skies taking the We Love… party with him. Taking in London, Montenegro, Croatia and parts of the world only accessible by boat, the summer series of We Love tours featured standout performances from Groove Armada, DJ Hell, 2020Soundsystem, Ewan Pearson, Todd Terje and Lottie to name only a few. A special mention must go to Mat Playford and Jem Haynes who fulfilled their role as touring residents spectacularly. Along the way Andrew managed to break himself away from sampling the local cuisines for long enough to take a few photos of what was going on.

We Love... Montenegro

We Love... Montenegro

Jem Haynes Takes on Top Hill

Jem Haynes Takes on Top Hill

Groove Armada pack them in at Ministry of Sound

Groove Armada pack them in at Ministry of Sound

Not so speedy boarding

Not so speedy boarding

The beautiful Adriatic cost

The beautiful Adriatic cost

Step up Mat Playford

Step up Mat Playford

2020Soundsystem bring the heat in London

2020Soundsystem bring the heat in London

Always time for a swift pint

Always time for a swift pint

Always end on a Kebab!

Always end on a Kebab!

We Love… Groove Armada at Ministry of Sound

Thursday, August 5th, 2010

It’s going to be one long weekend for Tom and Andy of Groove Armada, preparing for their live tour with a rare DJ set for We Love at Ministry of Sound on Saturday 14th August, followed by the much lauded ‘Black Light’ full live show at Space in Ibiza on Sunday 15th August. Also on the bill for the London show will be Ewan Pearson and Will Saul who made his debut at We Love this summer, being so impressed as to call it one of his best gigs ever. Long serving We Love resident and good friend of Groove Armada, Jason Bye will bring be opening and closing the main room. It’s set to be an exquisite weekend of quality house and electronica – from Ibiza to London and back!


Check below to see how Groove Armada are going down this summer on the famous Space Terraza.

Office Listening – #15

Thursday, March 11th, 2010

Paper shredding department

Equivalent to the product of three and five, one more than fourteen, four more than ten. A brief period of fame that a person enjoys before fading back into obscurity and also the number on our office door. AAA rated electronics from Mark, chanson from Julie, outlaw-anarchism from Ruairi and a tribute to America’s favourite bandy-legged retard from Andy.

Ruairi…

Son House – John The Revelator (Alternate Take)
Lions – Girl From The North Country
LFO – Love Is The Message (Album version)

Julie…

Lenny Kravitz – Are You Gonna Go My Way
Charles Aznavour – She
Estelle feat. Kanye West – American Boy

Andy…

The Mamas and The Papas – California Dreamin’
Creedence Clearwater Revivial – Fortunate Son
The Doors – Break on Through (To The Other Side)

Mark…

Moon Unit – Connections (Ewan Pearson’s Slo-NRG Remix)
Bomb The Bass ft. Shawn Lee – Fast
Pilooski – AAA

Door Policy

Wednesday, November 18th, 2009
Get in

Get in

It is easy to dislike a place that only lets in the rich, but before we get too self-satisfied let’s remember that nightclubs have never been the most democratic of institutions. The domains of cliques and gangs, they tread a fine line between the two meanings of the verb ‘to discriminate’. Trying to keep out those who aren’t regulars, don’t wear the right clothes, don’t get the music or take the right drugs even if done with the best of intentions – creating an exciting other space for freaks and their friends – still tips easily into exclusivity. Even the biggest, most seemingly democratic places contain velvet ropes, backrooms, inner-sanctums, huts and caravans for workers, owners, friends and random people who think that to be there means to be somehow special. Élitism, even if it’s only against those who don’t possess the right subcultural capital, is still an -ism (if not one of the really nasty kinds).Ewan Pearson

The subject off door policy within nightclubs has reared it’s high-and-mighty head lately. From the basement sweatboxes and grungy warehouses to pulsing castles with palatial interiors, almost every club will have a policy of some sorts. Decisions on which clientele to admit or reject rest largely with the door staff, although the code and system (if any) is generally devised by the management. It can be a hard thing to define – and easier to do so on who not to allow. For example, if The Social in Paris really is for “clueless, aggressive, Sarkozy loving, rayban wearing, coked up posh kids”, it would be hard for a club to define this custom with a notice on the door.

It is a self fulfilling prophecy that if a club is harder to get into, it becomes more desirable to try to do so. Take the infamously ironclad Berghain in Berlin for example. It is ridiculously hard for some people to get into, but is widely regarded as the best nightclub in the world. It might just be so that a policy on the door is not an absurd and clueless arbitrary decision made by steroid fueled meat-heads, but is in fact a necessary attitude in order to maintain the meaning of the “club”.

Open sesame

Open sesame

Some people revel in the unchallenging democracy of an open door policy, such as at Fabric in London. Where the door staff are unlikely to turn anyone away unless clearly inebriated and ask only that business men remove their ties. It’s understandable to have no interest in a venue with which the first interaction you have is to be judged by your style and manner. However, a door policy is what defines a club, creating it’s atmosphere along with the music and location. In essence, the policy establishes the crowd. Surely part of the reason you go to a nightclub is for the people who you will share the night and dancefloor with? Clubs which could easily fill the capacity twice over on any given night don’t because they care about maintaining a special atmosphere and a crowd that cares about the music being played.

With your market analyst head on, you can see that a strict door leads to a loyal clientele and a hand-picked demographic. Where there is a healthy scene clubs can afford to be fastidious. Ibiza is unique in its door style, having a historical reputation of wide admittance (and with the main clubs only open for four months per year) they generally welcome all and sundry. Venues that stretch into the thousands in capacity perhaps help to dilute the undesirables.

In any case, our top tips for getting in would be: Be yourself and treat your surroundings with respect. If you are in Perth, Australia: No Ed Hardy, or dyed rat tails.

Ewan Pearson

Fabric

Berghain

Australia National News