Posts Tagged ‘Dub’

dub Magazine

Sunday, November 27th, 2011

The throwaway free mag scene is hugely over-populated in Ibiza with a higher advertorial to article ratio than a Sunday Mail supplement. There is one publication opposing the trend of flunky journalism and that is dub curated by our own in-house photographer Phrank and his partner in crime Andreas Simon. You’ll find insight beyond the usual night life sycophancy with a healthy dose of cynicism thrown in for good measure.

It’s by no means pompous however, and also serves as an outlet for Phrank’s photography work which stretches far outside his bread and butter made in the confines of the island’s superclubs.

A favourite section among the Ibiza locals is dub’s own version of the standard society pages. This painstakingly produced collage of movers, shakers, visitors and taste makers is inspected as soon as the magazine hits the streets to see which of the island’s scenesters have made the grade that month. You can be haughtily assured that most if not all of the team at We Love, from PR staff to resident DJs have appeared here on occasion

Alongside the lavish photography, editor Andreas Simon ensures a philosophical and inclusive outlook to the interviews, articles and poetry which makes up the bulk of the publication’s content. Every article (except the poetry) is published in English and Spanish with subjects chosen to capture a range of island life and opinion. You’ll find interviews with everyone from visiting superstars such as Derrick May and Ricardo Villalobos to uniquely Ibicenco socialite characters. Alongside this, Andreas’ own editorials are always on point and pull no punches with subjects ranging from music and drugs to critiques of the (mis)management of the island’s largest institutions.

The magazine survives on sponsorship from local businesses and promotors (the likes of We Love and Cocoon being long-term supporters). Ibiza is a unique territory in terms of publishing with a readership looking for specific insider information on everything from a party calendar to cheap eats. There are countless rags doing just that, but dub stands alone in offering alternatives, and on an island sometimes accused of being homogenous and inward looking – this can only be a good thing.

dub is published monthly with a circulation of 20,000 in Ibiza and selected outlets Europe-wide throughout summer. It’s fast becoming a collectors item and fortunately for those not visiting or dwelling in Ibiza they have an online presence where you can download in PDF format. The last two editions are here and here (right click and save as).

Dub Sound

Thursday, November 26th, 2009
To me to you

To me to you

Dub has been present in popular music since its early 70’s Jamaican reggae roots, also filtering into dance music in later decades, but never widely acknowledged for what it is: a truly groundbreaking conceptual art form equal in significance to other giant aesthetic leaps such as Cubism or jazz. It abstracts the essence of music and allows its creator to redefine and reshape boundaries for what might otherwise be a predictable form of expression. – Francois Kevorkian

Before there was dubstep – there was dub. Development of soundsystem culture took the pioneering Jamaican sound of Lee Perry and Errol Thompson and threw it into the social mix of early 1970s UK dance halls. A hallmark of dub music is the massively low-pitched bass and swirling sound effects which could be augmented live by DJs. The multi-layered sounds with echo and variation in volume create soundscapes, drawing attention to shape and depth, the space between the sounds.

Soundsystem design was competitive, with different crews building bigger, badder and deeper systems in order to outdo one another. One of the original protagonists in the field, Jah Tubbys, is still alive and well today. You know when a company is producing amplifiers with names such as the “Annihilator MegaAmp” – they mean business. Have a look over at their site. For the full range of amps and effects units.

Jahfx

Jahfx

Jah Warrior has a list of the “Top Ten Baddest Roots Dubplates”. It has audio samples of old 7″s which would rock nights such as Dub Club in Tufnell Park and Aba Shanti at the Blue Note. The battering-ram basslines would become trademarks of the roots sound in the late 70′s. “I began collecting records, ones which cost little then but have since come to be worth a small fortune. Dances were different in those days. They were more dread, with very few outsiders, unlike the wide audience which roots dances attract now. Most of the sounds were much heavier – you’d be literally gasping for breath because the bass put so much pressure on your chest.” – Steve Mosco.

Roots Rock Reggae return to heal our nation, cut out the negative rap vibration, bring again the Jah Sensation. Jah Rastafari!

Jah Warrior

Jah Tubbys Equipment

Deep Space NYC