Posts Tagged ‘Download’

Alex Niggemann – Giveaway EP

Wednesday, April 6th, 2011

Here is an exclusive free download from newly welcomed to the We Love fold Alex Niggemann, and a short Q & A with the man himself ahead of his gig for We Love’s Easter Special at Ministry of Sound. Download the EP from his profile, here, it’s an upbeat housey number and you can’t get it anywhere else but here.

What are you looking forward to about London and playing at Ministry – is the UK somewhere you enjoy playing?

I have had a really great first “We Love” party, when I was playing in Miami for them. This is the second and it will be in one of the most influential clubs all over the world, with such a great line-up! I heard a lot of positive feedback about this club. London itself is always a great spot to play. Everytime I’ve been there, I had a great time. I think London is one of the best cities for playing electronic music. So many people are interested in this kind of music, because the city has such a big scene, which you will just find in cities like Berlin, Barcelona or Frankfurt. It’s a great chance for me to present my music to such a big audience.

Miami ride

Tell us what it means to play for We Love and what do you have planned for the Summer with them?

We Love is a chance for me to play for a party series with a huge tradition. Their parties are pretty famous and give me a great platform to let people know who I am and what I do. I’m also really happy to announce that I’ll play several dates for them in famous Space (Ibiza) with some of the best-known artist all over the world. Sundays at Space always rock!

What can everyone expect on Easter Weekend.

It’s a long weekend, where everyone who likes this kind of music, can party like hell. For me it’s always a special weekend, as I know parties will be crowded everywhere and people are really in a good mood to party, because of having a 4 day holiday. I’ll definitely prepare myself even more to fulfil peoples expectations and help create an unforgettable night.

Download the EP and connect with Alex Niggemann through facebook and twitter.

Paul Woolford – Planet E at Berghain / Vinyl-only / 4.3.2011

Monday, March 28th, 2011

It’s often hard to judge a “club” mix on it’s merits without the boundaries of the dancefloor. Especially when said floor is the hallowed turbine hall of Berghain. Paul Woolford continued his techno excursion with Carl Craig’s 20 years of Planet E tour featuring in a recent show at the revered Berlin institution.

Picked from a large and carefully chosen crate of vinyl, it’s a fine and joyous journey through techno and bass music which works perfectly well beyond the club. Wooly’s decision to use only records (in our view the most appropriate medium for electronic music) certainly gives the mix a certain je ne sais quoi and great artistic moments are often borne from self imposed restriction.

Hit “play” and enjoy Paul’s warm-up of sorts, joining the dots between the genuine Detroit sound and the European progeny it continues to spawn.

Paul Woolford – Profile
Berghain
Planet E

Office Listening – #24

Thursday, March 17th, 2011

#Miami crew

Fresh from their stateside adventure involving traditional run-ins with airport security and large pastrami sandwiches: Mark brews some 80s Balearic belters, with thanks to DJ Harvey (for the FKITUSA tip-off), while and wondering what the fuck has happened to the charts today? Andy shows some Detroit love fresh from The Shelborne pool (and obligatory gangsta rap).

Ruairi stayed behind in Ibiza, if you like puzzles you can help him piece together his weekend, answers on a postcard please.

Mark…

David Bowie – Sound & Vision
It’s Immaterial – Driving Away From Home
Debbie Harry – French Kissin’ In The USA (French Version)

Ruairi…

Lil Wayne – A Milli (James Blake’s Harmonimix Remix)
Lykke Li – I Follow You (Tyler, The Creator Mix)
Neon Canyon – Fleties

Andy…

Inner City – Good Life (Magic Juan Mix 12”)
Mos Def & Pharoahe Monch (ft. Nate Dogg) – Oh No
Octave One Feat. Ann Saunderson – Blackwater (Extended Vocal Mix)

11 Questions – Alex Niggemann

Monday, March 7th, 2011

Alex Niggemann

Dusseldorfer

At the age of fifteen Alex Niggemann‘s older brother took him to a techno party in Düsseldorf which was a turning point for the young musician, pointing him away from the sometimes limiting discipline of classical piano and towards the world of electronic music. Since then, residencies in his home town grew to a move towards Berlin and all that great creative city had to offer.

Alex found work as a studio assistant to DJ T, running errands, capturing vinyl, mixing tracks and archiving records. This led to fellow Get Physical stalwarts Booka Shade discovering they had a promising producer in their own ranks. A lauded remix of Booka Shade’s “Darko” followed on a vinyl only release alongside Tiefschwarz and Radio Slave.

After finishing his engineering degree things began to snowball for Alex in 2008, during that summer he was signed to Supernature the home of UK duo Audiofly. They released the Black Rose EP in 2009 followed by critically and commercially successful releases on 8bit charting highly in many end of year lists.

Gigs across the globe followed and in the spring of 2010 he launched his Soulfooled label in the aim of responding quickly to artist needs and creating a platform for artists to release music quicker. The music represents Alex’s standards across old school disciplines of Chicago and Detroit orientated sounds.

Ahead of Alex joining We Love in Miami, we’ve asked him to answer our 11 Questions all about his past present and hypothetical future. You can download an exclusive mix he’s recorded, here.

Is there one book that you have read that has been life-changing for you?

Electroschock by Laurent Garnier. It totally changed my view of that glamourous DJ-life I had before.

Did your parents encourage you to work in music?

Yeah always, my Mom especially when I was I kid and wanted to learn piano. After my interests passed to house and techno music she wasn’t that happy… but my dad continued supporting me until he died unfortunately last year. Without him I wouldn’t be where I am right now! RIP Daddy!

How did you begin to work professionally in music?

It was a hobby for me until I graduated school. I had to decide what I wanted to do for living. So I moved to Berlin and started to study audio engineering to increase my technical knowledge about producing music. When I did the remix for Booka Shade on Get Physical, I knew that I made the right decision. That was the point where I got professional.

How do you apply your past experiences to what you do today?

Everything which you have done or which has happened in the past influences your life. As I also had a lot of really bad experiences, I think this definitely made me withstand things better and reminds me to not give up until I’ve reached my aims!

Reaktion

Where is your current studio and what is it like?

I just built my new studio on the 1st floor of my flat in Berlin. I spent a lot of money to make it perfect. It is a room in room construction, with all the finest acoustic elements to make the room with all the techniques to sounding perfect.

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

Well, I would say I’ve spent a lot of time with updating social network sites etc. I think the internet is an important medium, which more and more becomes an entertainment medium. But at a certain point of the career which I have right now, I cant do it on my own anymore. I mean, I still post / tweet a lot of things, I think it is very important to keep in touch with your fans, but for all other things I have my press agency. I definitely think that press and social networking became one of the most important things in this business, as there are too many “self-called” DJs / artist you have to stand out from! But all the marketing doesn’t effect my creativity as I do it most of the time when I’m on flights or in hotels, where I usually don’t produce.

How would you describe your work?

Just one word! Travelling! Playing and producing isn’t work for me. I still have a lot of fun doing that.

Who were your teachers?

Me, myself and my brother, who taught me the first skills in DJing. I mean I had some idols I was always and still looking up to like Ken Ishii, Steve Bug or Emmanuel Top, but they unfortunately couldn’t teach me anything personally because I didn’t know them. So I was learning most by trial and error, until my studies where I refined my technical background.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

Show them how it’s when someone steals their possessions and let them life without them for a while.

You have to make one species of animal extinct. Excluding insects, which species would that be?

As I think, that every animal has its function on mother earth, I wouldn’t do it, because the natural balance will be broken. If the question would be only about a species including us, I would say human. As we are the most useless species. The world could life in its balance better without us!

If you could spend one week in any period of history, which period would you choose?

It would be the epoch of Rococo, as in this time most of the most brilliant  creative people have lived. Such as Mozart or Goethe!

Thanks Alex. Connect with him on twitter and facebook. Download his mix, here.

Matthew Dear / Interpol / School of Seven Bells – Tour EP

Wednesday, February 23rd, 2011

Matthew Dear is hitting the road with Interpol and School of Seven Bells. In celebration of the upcoming tour, they’re offering up a free EP with a song from each artist. All you have to do is enter your email in the widget below. Simple as that.

It’s typical of Ghostly International to be involved in astute marketing exercises such as this. The output of their label from concept to fruition is quite superb. Check the video created by Morgan in promotion of Matthew Dear’s latest album Little People (Black City), for example.

Fine those tour dates, here. Follow @matthewdear, @sviib, @Interpol and @ghostly on twitter.

Office Listening – #23

Wednesday, February 16th, 2011

Pleasure in the job puts perfection in the work

All Nature seems at work. Slugs leave their lair -
The bees are stirring – birds are on the wing -
And WINTER slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.

Samuel Taylor Coleridge


Ruairi’s gone all millennial pop with these brassy re-edits from some guys at the top of that game while Andy charges forth with his brazen, ill-bred odd future.

Ruairi…

Destiny’s Child – Bills Bills Bills (James Blake’s Harmonimix Remix)
Theo Parrish & Amerie – Just 1 Love Bug
Janet Jackson feat. Q-Tip and Joni Mitchell – Got ‘Til It’s Gone (Nellee Hooper Master Mix)

Andy…

Tyler, The Creator – Yonkers
Bill Withers – Who Is He (Henrik Schwarz Remix)
Fagget Fairys – Feed the Horse

Mark Isham – Point Break

Wednesday, February 9th, 2011

Kathryn Bigelow’s Point Break is a must see classic especially if you have a penchant for surfing, guns and early ’90s tight t-shirts, dude. Within the first 5 minutes a masked criminal holding up a bank looks at his watch to proclaim “little hand says, it’s time to rock and roll”, this is old-school action cinema at it’s best.

You're sayin' the FBI's gonna pay me to learn to surf?

Keanu Reeves plays Johnny Utah in his first action hero outing. His mission, to bust The Ex-Presidents, a gang of thrill seeking bank robbers by going undercover and infiltrating their clique. The leader of said gang is Patrick Swayze’s Bhodi who brings an idealistic innocence to the film whilst avoiding the pitfall of falling into self parody of the beach-philosopher character. Special mention must go to Gary Busey who plays the gravelly cynical partner to Johnny Utah, a stereotype as old as Hollywood itself. The role of Angelo Pappas is played with off-the-wall aplomb by Busey, who adds many fine insulting lines to temper Reeves’ and Swayze’s testosterone fuelled antics, “Listen you snot-nose little shit, I was takin’ shrapnel in Khe Sanh when you were crappin’ in your hands and rubbin’ it on your face.” For example.

What's the matter with you guys? This was never about the money, this was about us against the system. That system that kills the human spirit.

The film begins with the rise of brooding synths and strings from accomplished composer Mark Isham. This is combined with a visually effective series of edits of crashing waves to give a hint to the spiritual tone of the film from the get-go. However, like the film itself any indication of spirituality quickly gives way to a maximum velocity, crashing spectacle. The film’s tagline “100% adrenaline” although cliched is probably only a few percent from the truth. Isham has crafted a score that not only complements it’s parent film, but elevates it beyond the egregious silliness which pertains to most ’90s Hollywood action cinema.

When they run they dump the vehicle and they vanish... like a virgin on prom night. I mean they vanish, swishh...

If the film needs a saving grace, it must be the skydiving scene. It is not hyperbole to say this is both a cinematic tour de force and an orchestral masterpiece. Check it out in high quality, here. This is the scene in which the confusion of trust and betrayal between the bank robber and his FBI pursuer comes to a head while plummeting to earth after jumping from a “perfectly good airplane”. Although Isham’s musical signature is present throughout the film, this is where it truly comes to the fore (see track 16 – Skydive). The film has inherent and self-evident weaknesses (mainly the failure to have the audience believe in an enlightenment through extreme sports). However, there are some sublimely crafted action sequences which become almost abstract at times, the exceptional score goes some way to help lead the viewer down this vein.

Vaya con Dios, Brah.

Although made in 1991, the film score did not find a release until 2008 when La-La Land (a company specialising in score releases) took it upon themselves to allow this fine piece to be heard. This edition was limited to 2,000 units and features 65 minutes of score with liner notes by Dan Goldwasser incorporating comments from both Bigelow and Isham. It is now out of print.

Jaime Fiorito – Raw Cuts 01 (A Mix 4 We Love)

Tuesday, February 8th, 2011

Ibiza’s favourite son, Jaime Fiorito has recorded a mix from his studio in Switzerland for us back here in the Balearics. It was recorded very simply on a pair of Technics, 2 CDJs and 1 mixer.

His choices have been inspired by his sets at We Love last year with some modern touches from labels such as Rush Hour, Robsoul and Teardrop. Good quality house music. Track list below. ‘Full fat’ 320 MP3 download available, here.

André Lodemann – The Light
Lovenbirds – Love & Hapiness
Presence . Sence of Danger (MCDE rmx)
Rick Wade – Forever Pimp
Two Amardillos – Promo
Phill Weeks – Peep Game
I:Cube – Disco Cubism (Daft Punk mix)
Mood II Swing – Move Me
Mike Delgado – Sould Good
Pepe Bradock – Deep Burnt

Ian Blevins and the B11′s

Monday, February 7th, 2011

Ian Blevins recently posted two edits under his B11′s guise to download for free from his soundcloud, they’re both slow house smooth jams and probably work well on a Sunday afternoon… There’s not much more to say as the music most definitely speaks for itself. Check em out below.

Check out the rest of Ian Blevins’ sounds on soundcloud, follow him on twitter, and even check out his official site if you are that way inclined.

Where are you now… Mr Doris?

Wednesday, February 2nd, 2011

To continue our Where Now featurette we look towards a man who now calls Ibiza his year-round home. Mr Doris is a true original, coming up through the unwavering ranks of resident Ibiza DJs with his true to the new school sound of global funk and breaks. His diverse selections have landed him sets in venues as diverse as The End and fabric to Koko and even the Royal Albert Hall, where he has supported the likes of The Cinematic Orchestra and Kruder & Dorfmeister.

Since dropping a promo mix on the desk of our chief booker 5 years ago, Mr Doris has grown in stature to play extended back-room sets for Carl Cox, Pacha and of course We Love. Last summer his star was burning bright when he was given a promotion of sorts to host the Sunset Terrace weekly for We Love from midnight until close, some might say a risky move with a crowd more accustomed to a classic high-energy house sound. It turned into an unexpectedly pristine display of musical knowledge and brought some much needed dubby light-heartedness to a time of day when things can get a wee bit moody. Give that mix a listen and you’ll know exactly where we’re coming from. Mr Doris, take it away…

Over the past few winter seasons you’ve set up shop everywhere from the East End of London to Bahrain. This year you seem to have settled down in Ibiza, you’ve even got a cat. How is that working out for you?

It’s true… I have led a bit of a nomadic lifestyle (or a hobo’s, depending on the way you look at it) for the last 11 years. The only recurring destination seems to have been Ibiza – and over the last 5 years myself & my partner in grime (fellow We Lover… Roxane Barcelo) have realised that this is the place for us (for now at least). This winter is turning out to be the most productive (literally) in a long time as I have finally got back in the studio after a 5 year hiatus, collaborating on many different projects with many different artists. I’ve also had time to compile and mix a new compilation album ‘El Chiringuito‘ that will be released at the start of May in CD format in stores as well as through the usual online sources (iTunes, Beatport etc).

Productivity aside I have never felt more at home (hence the new cat) as I do at the moment here in Ibiza, it’s a truly beautiful island with a nice year-round climate. However like any island I do believe it’s possible to go a bit stir crazy so I’ve been lucky enough to have a few great gigs in the “real world” to keep me sane.

Our house, in the middle of our street

How does it feel to be one of the most in-demand and busiest DJs in Ibiza? We’ve seen you everywhere from beach-shacks to super-clubs, there’s even claims of sightings at two places at once. Does man start to meld with machine after DJing for more than 60 hours per week?

The last 3 summers in Ibiza have been incredibly hectic – I got Tony Hart & Neil Buchanan to create a life-size cardboard cut-out of myself (complete with puppet strings) so I could keep up with the work load… luckily it seems that only you noticed.

Seriously though, after 6 months of pretty much non-stop music going through my ears it’s been nice to have a break from the DJing for a while but I wouldn’t change anything for the world, it’s just nice to do something I love and be appreciated for it at the same time.

Doris n' Mo'Funk

From what we’ve seen, yourself and a certain Mr Mo’Funk had it ‘right off’ on the Sunset Terrace this summer, bringing a new sound to a new audience once the high-energy house music had settled down. Is it important for you to be more than a bit different to the rest of the club, and how do you see things developing next year?

Last year on the Sunset Terrace for We Love… was one of the highlights of my summer and my career as a whole – added to the fact it was a completely unplanned success made it all the better. When Mo’ Funk & I do our 4 deck show we really do bring out the best in each other – although I still have a few things to teach him… ;-)

When it comes to being different it’s just the music I enjoy mixing the most and if that’s any different from anyone else then it’s unintentional. If it’s been successful then I would probably contribute that to the fact that the musical scope of the average Ibiza club goer in general has seriously expanded in the last few years.

Next years plans are hush hush but big nonetheless… all I can say is that there will be a lot of incredible artists (including a couple from my mix playlist) making their Ibiza debut at We Love… Sundays at Space.

Many thanks as ever to the consummate professional Señor Doris. Check out his official website, here.