Posts Tagged ‘Aphex Twin’

We Love… Aphex Twin

Thursday, September 22nd, 2011

The photos of the Aphex Twin show from last year say everything yet still don’t quite do it justice – see/hear for yourself on September 25th.


WE LOVE CLOSING FIESTA EXTRAVAGANZA

Saturday, September 10th, 2011

Endings can be bitter-sweet but it’s a blockbuster day of the highest order for the closing party on September 25th. It’s down to heavy hitters Fatboy Slim and 2manydjs on La Terraza along with favourites Joris Voorn, Jem Haynes, Jason Bye and Ian C. There’s a triumphant return for Aphex Twin to the Discoteca after a performance last year already firmly in the annals of Ibiza folklore. Closing out his 10th season in Ibiza will be James Zabiela joined by Technasia, jozif and DJ Rephlex.

Expect big carefree vibes with Rock Nights on the Sunset Terrace with Rob Da Bank, Colin Peters and Andy Carroll. Once the sun goes down it’s After Dark with a special audio-visual showcase featuring DJ Cheeba, Soundcrash DJs and Mr Doris. Tirk Records are back for a final soiree in El Salon with Homoelectric’s Jamie Bull, Ben Terry and Matty J. As is becoming tradition, Clive Henry is on board in the Red Box for the closing along with Alex Arnout, Coley, Ryan O’Gorman and Scott Martin. Taking things to the break of dawn (and probably beyond) on the Green Valley Terrace is Alfredo, Ian Blevins, Jamie ‘Fatneck’ and Jon Howell.

Facebook event page here.

Take a look at the video from last year’s closing party for a taster of what to expect.

We Love Ibiza 2010 Week 16 – The Last Episode from We Love on Vimeo.

Weirdcore

Thursday, February 17th, 2011

This summer did not only see the debut in Ibiza of a certain Richard D James but also his collaborator Weirdcore. The visuals are undoubtedly created to push boundaries and are nothing short of a visual onslaught complementing the auditory one summoned by Aphex Twin.

It was strangely appealing to see the face mapping technology pioneered by Weirdcore in Space’s Discoteca. Unsuspecting clubbers were seen to try to wipe the twisted expressions superimposed onto their own on giant screens installed in the club especially for this occasion. Not to blow trumpets, but the effect went some way to generating the best show in Ibiza, ever. Check out the video below.

Señor Weirdcore himself was kind enough to take time out of his busy schedule of animating op art and being generally gruesome to answer a few short questions about music, his art and the future.

We first saw your work through your collaboration with Aphex Twin here in Ibiza, first of all, how was it? Did you find any complications or unexpected benefits of living and working in the on the white isle for a week?

Yeah it was nice to get into the island vibe. I got there a day before the rest, so was already chilled out by the time they all arrived. It was nice.

A lot of what you do seems very in-your-face (literally), you’re obviously not an artist who craves subtlety (aesthetically at least), but what message or meaning are you trying to express through your work?

Visual impact is what it’s all about for me, however that’s achieved.

Maybe you could help describe the technique of ‘face-mapping’? It was interesting to see people trying to wipe the Aphex Twin face away with their hands when they saw it on the big screens at Space.

I don’t know what to say about it, just trying to make the show interesting and interactive. But what was done there was very early stages, the technique has been developed waaaay further, and is still in development.

What music do you like personally to wind down or get worked up to?

AFX, Oneohtrix Point Never, Dopplereffekt (which I’m lucky enough to be working with all of them) but also stuff like Steve Reich, Moondog, Philip Glass, Ryoji Ikeda, Kraftwerk, Altern8 and John Carpenter.

Have you got any interesting projects or collaborations brewing at the moment?

I’m working on AFX 2011 stuff and doing all the graphics for Retro/Grade and MF Doom (visuals, video, artwork, web, etc.) with video for a new single in the pipeline. I’m also doing visuals for Model500 & Dopplereffekt.

APHEX TWIN @ We Love, Space, Ibiza. visuals by Weirdcore.
filming by weirdcore & Ruairi Dunne.

Check out Weirdcore.tv and the vimeo page for an archive of collaborations with artists as diverse as as MIA, Simian Mobile Disco, Mos Def and Die Antwoord.

We Love Space 2010 – Closing Fiesta

Saturday, September 4th, 2010

The end is nigh! There’s still time to book flights from wherever you may be for this party of epic proportion. The line-up speaks for itself, including an Ibiza debut from Aphex Twin in the Discoteca and a return to the venerated Terraza with Basement Jaxx. Big up to David Tazzyman. See you there! x

We Leviathan Space



We Love… Space 2010 Summer Preview

Thursday, June 10th, 2010

A short preview of the artwork, music and artists to expect this summer – at We Love… Space, Ibiza. Music from Omar, Henrik Schwarz, PBR Streetgang and Soul Clap & Catz n Dogz as Clapz n Dogz.

Andy’s Science Lesson – White Noise

Tuesday, May 25th, 2010

White noise is what you get when you combine the complete audible spectrum into one incorporate sound. The name derives from white light, made of all the different colours (frequencies) of the visual spectrum. In the same way that a prism or a rainbow separates white light back into its component colours, white noise is a combination of all the different frequencies of sound. You can think of white noise as 20,000 tones all playing at the same time.

White noise is used extensively in electronic and synthesized music. It can be used directly or as an input for a filter to create other types of noise signals. Direct applications include synthesis of instruments such as cymbals which have a high noise ratio in their frequency band.

It is used to generate test tones for concert and performance venues. Short bursts of white noise are sent through a PA system which are then monitored with microphones and spectral analysis so an engineer can tell if the acoustics of the building naturally boost or cut any frequencies. It’s also used for frequency response testing of amplifiers and signal processors. The genre of noise metal also benefits extensively from copious amounts of white noise – a type of music you can only love like you would an abusive husband. Hella, a band hard to get into but harder to get out of.

It’s said that white noise can help aid both rest and concentration, as it can mask irritating noises such as tinnitus. It can sound like a rushing waterfall or wind blowing through trees. Devices known as sleep aids do not produce actual white noise, which has a harsh sound, but pink noise in which power rolls off at higher frequencies. White noise is frequently used to mask other sounds since the brain can not differentiate between the thousands of frequencies and the “voice next door”. Masking devices are often used to protect privacy by screening distant conversations, for example, in a psychiatrists waiting room.