Archive for the ‘Radio’ Category

Top 5 2011 We Love Podcasts

Monday, December 19th, 2011

Sorry, we just couldn’t resist. Since everyone and their dog seems to be doing end of year lists here’s our top 5 We Love podcasts produced with the capable hands (and voice) of Andy Wilson. There’s also our top 5 behind the scenes type photos from Frank. Drum roll please…

At 5 it’s our closing party special. Plenty of bang for your buck here with 2 live sets and 2 live PAs from our Terraces. Rob Da Bank is in conversation and Adamski performs his classic ‘Killer’.

Can you at least get me backstage! Leaves us wondering what more than backstage would mean.

At number 4 it’s a personal fave from We Love HQ, Kompakt’s takeover where Superpitcher provides his 4 favourite tracks and chats about alfresco voodoo.

Rafter party

There’s a nice cross-section of the ethos of We Love at 3, with veteran Hell, and young guns jozif and Foamo. jozif tells us why he wants to be Paul Woolford and why he’s rolling with the sheep.


Careful inspection of Mezcal worms, before careless consumption.

Mat Playford talks about his debut album at number 2 and there’s sets from the club featuring likely lads PBR Streetgang and golden boy Joris Voorn.

Protip: Wearing a pretty dress and a winning smile will get you one more tune.

Our favourite podcast is Paul Woolford’s where he talks about hooking into Detroit, his famous Terrace edits and return of his alter-ego Bobby Peru.

The security guard literally jumping for joy to see the back of us... until next year!

Ibiza Sonica Radio at We Love Space

Tuesday, September 20th, 2011

UPDATE: ROB DA BANK LIVE BROADCAST FOR SPECIAL 22:00-24:00 SUNDAY SUNSET TERRACE SET ON SONICA

On an island where current musical culture is as significant as historical heritage the gravity of local radio can not be underestimated. A case in point is local broadcast experts Ibiza Sonica. Founded in 2006 with a desire to create a non-commercial radio station delivering a slice of Ibiza’s diverse musical landscape to the world.

From it’s hilltop location in mid-island village San Rafael, Sonica is more than your average radio station. The internet has played a fundamental role in the station’s growth and success – allowing a channel for off island and out of season fans to tune in for everything from daily lounge sessions and sunset sets to club extravaganzas such as We Love. They regularly host some of our favourite guests of the summer for their own shows, such as this episode with the inimitable Claude VonStroke aka Barclay Crenshaw…

One of Sonica’s founders and most loved resident DJs Andy Wilson has taken the helm of both our weekly broadcast on Sonica FM (Sundays, 9pm until 11pm) and now also produces and presents our podcast available to stream and/or download from Official.FM or subscribe via iTunes.

Andy’s personal highlight of the We Love summer was broadcasting musical luminary Greg Wilson live from the Sunset Terrace, some of which you can listen to on the podcast below…

We Love Ibiza 2011 Podcast Episode 1 – Groove Armada

Tuesday, June 7th, 2011

As we get ready for the Opening Party on June 12th, we launch a new series of weekly podcasts with an exclusive mix from Groove Armada and an interview with We Love promoter Darren Hughes and Music Director Mark Broadbent.

Groove Armada will be bringing an audio-visual treat to the Terrace six times this summer – Groove Armada present Redlight – and in the second part of the podcast we have a preview of their new darker sound before they debut on June 19th.

But first we sit down and talk with Hughes and Broadbent about strange haircuts, interesting DJ names and some of their plans for this summer at Space.

Music comes courtesy of Weirdo Police, Caribou, a Carl Craig classic from 20 F@#&ING Years of Planet E, and an exclusive from Mr Doris. The podcast is hosted by Andy Wilson.

Andrew Weatherall for Radio One

Monday, November 29th, 2010

Weatherall-for-One

There’s a grassroots campaign starting to promote Andrew Weatherall to take over the coveted but burdensome slot of John Peel’s BBC Radio One show. Some would say that since Peel’s passing and the likes of Mary Anne Hobbs leaving the station, it’s diversity and usually ambitious nature has been found lacking. The Lowes and Macs of the world proclaiming The Swedish House Mafia as the ‘next great thing’ just really isn’t going to cut it for some people.

Although Peel’s boots are big and some would say beyond anyone to fill, Weatherall shares a certain brand of musical enthusiasm which has stood out in his seminal production work ranging from Primal Scream (check out The Music That Made Screamadelica) to Fuck Buttons. You can sign up to the Facebook page signifying your “Like” of the whole idea, here. Apparently Weatherall himself is not pushing himself forward for the gig but as Ashley Beedle is only too happy to say: “Andrew Weatherall taking over the John Peel slot would be so natural and so righteous – this man has knowledge, scope, a deep love of music and is one of the great raconteurs of our generation. Come on people – let’s make this happen before Andrew decides to turn left!”

Check the video out below for thoughts from a youthful (and longhaired) Weatherall on the subject of “substance” in music.

Andrew Weatherall’s Website

Resonance FM

Thursday, March 11th, 2010


Although in the past we have featured only online radio broadcasting, this time we look at a station still doing it on the airwaves in London. Resonance104.4fm makes public those artworks that have no place in traditional broadcasting. A radio station like no other, that is an archive of the new, the undiscovered, the forgotten, the impossible. It is an invisible gallery, a virtual arts centre whose location is at once local, global and timeless. And that is itself a work of art. Imagine a radio station that responds rapidly to new initiatives, has time to draw breath and reflect. A laboratory for experimentation, that by virtue of its uniqueness brings into being a new audience of listeners and creators. All this and more, Resonance104.4fm aims to make London’s airwaves available to the widest possible range of practitioners of contemporary art.


The service includes “radio artworks” made especially for and exploring the medium of radio. The music based output places an emphasis on alternative and experimental music with a bias towards the avant-garde (how many broadcasters are willing to devote programming to found sounds and field recordings?). The speech based output includes discussion, alternative news, documentary and literary spoken word. Subjects covered include anything from cultural theory to pensioners’ rights and mental health to visual arts. The station provides a service for practising artists and engaged consumers whose interests fall outside the mainstream media or for those whose access to media is restricted or limited due to cultural bias or lack of formal training. The multicultural service transcends age barriers, it’s youngest regular broadcasters are 16, it’s oldest 77, from communities as diverse as Brazilian, Serbian and Congolese who are encouraged to initiate and realise their own programming.


You can hear nonsense sound poetry recorded halfway up a mountain on the Isle of Jura, a preacher in Glasgow or a Babylonian Jewish Choir, a huge variety of unique spoken word radio basically. That’s not to mention great specific music shows such as Is Black Music, featuring maverick black musicians who are involed in non-commerial, alternative outside of the industry mainstream. The program broadcasts Black folk, country, avant-garde, classical and rock music. It encourages the promotion of unusual black music such as Urb Alt and Afro Punk, and is a good way to challenge industry, artist and consumer stereotypes.

Resonance104.4fm started broadcasting on May 1st 2002, established by London Musicians’ Collective. Its brief? To provide a radical alternative to the universal formulae of mainstream broadcasting. Resonance 104.4 fm features programmes made by musicians, artists and critics who represent the diversity of London’s arts scenes, with regular weekly contributions from nearly two hundred musicians, artists, thinkers, critics, activists and instigators. You can also listen online or download one of their various podcasts for maximum aural pleasure.

Online Radio – Dublab

Monday, January 18th, 2010

Turn on, tune in...

Turn on, tune in...

Dublab is a non-profit internet radio station based in Los Angeles. As well as broadcasting music they have also been involved in art exhibitions, film projects, live events and record releases. The broadcast is eclectic ranging from electronic and noise to ambient, post-rock and folk. An example of their film work is Secondhand Sureshots where they gave producers five dollars to buy albums from second hand shops and sample the music to create new tracks. Their soundsystem an DJ collective has been featured at diverse venues such as The Getty Centre and Hollywood Bowl. Notable guests include Flying Lotus, Four Tet and Animal Collective.

Below is one of their more avant-garde film / art projects – mi casa es su casa, “an international home field-recording quilt.” It is a collage of sounds from personal spaces around the world. People have sent 30 second recordings of the most interesting sounds in their homes which were then stitched together to offer an audio insight into their intimate environments.

The finished piece was presented at the Sound in Space field recording festival in Los Angeles on Saturday, February 14th 2009 and is also available on dublab.com as a free audio download.

Thanks to Phat Phil for the heads-up.

Dublab

Online Radio – Soma FM

Friday, December 4th, 2009

La radio

La radio


A personal favourite of our antipodean cousins, Soma FM is one of the larger internet-only broadcasters boasting 5.8 million “listening hours” per month. However, they haven’t amassed this figure by playing mainstream music. They’ve got 18 unique unique channels with Groove Salad and Drone Zone being the first two we would recommend. Being listener supported and commercial free means no advertising or annoying interruptions. They describe their mission as searching out and exposing new music to people who may otherwise never encounter it. Since they work on a small listener supported budget they have to move slowly towards their goal of making Soma FM available in as many ways possible – but because they don’t have to answer to investors of venture capitalists, they can broadcast exactly what they want to.

Where does the name Soma come from? It’s a play on words. Soma is the name of many things, but in our case is based on the future’s perfect pleasure drug and the fact that we started broadcasting from San Francisco’s South of Market area, known also as SoMa.

Soma FM

Online Radio – Intergalactic FM

Tuesday, December 1st, 2009
Not actually on FM

Not actually on FM

The Dutch west coast and the city of the Hague in particular is a hotbed for the current techno revival. Intergalactic plays round the clock old, new and true school techno. The programming policy is brilliantly relentless. Intergalactic’s blog has a great feature called, “Portraits of the electro scene”, showing photographs of Dutch DJs and artists at home surrounded by keyboards and shelves of records.

The Guardian: Launch the Flash player and there are two other equally niche channels to chose from – Intergalactic Classix focuses on 80s-style synth dance and cheesy disco (every day at 11am there’s a slot I like called NRG Formaggio), while The Dream Machine is a kind of anything-goes ambient-space-jazz freak-out channel, and quite possibly the only place you’ll ever hear the instrumental saxophone-noodling soundtrack to an Italian movie called Porno Shop On 7th Street followed by an ancient clip of James T Kirk reading his captain’s log accompanied by some bongos.

Intergalactic FM

Guardian Article

Online Radio – WFMU

Tuesday, November 24th, 2009
Listen up

Listen up

Non of the hits, all of the time! WFMU is a really great radio station which has a well rounded music based blog and covers just about every genre of music out there, found sound, soundscapes, 60′s garage punk, turkish ragga etc… 100% funded by their listeners through an annual on-air fund-raising marathon as well as their annual record fair in Manhattan that occurs the first weekend of November, info for which can be found on the website here.

They are the longest running “Freeform” radio station in America. This is an approach to radio programming in which a station’s management gives the DJ complete control over program content. Freeform shows are as different as the personalities of DJ’s, but they share a feeling of spontaneity, a tendency to play music that is not usually heard. Their ideology tends to be liberal or radical, though their program content is not usually overtly political. WFMU has been the only one of the early freeform stations to survive into the present day (since 1968), with it’s philosophy and (lack of) format intact.

Rolling Stone Magazine, The Village Voice, CMJ and the New York Press have all at one time or another called WFMU “the best radio station in the country”. In recent years the station has gained a large international following due its online operations and counts Simpson’s creator Matt Groening, film director Jim Jarmusch and Velvet Underground founder Lou Reed, among others, as devoted fans of the station.

WFMU

Pictures of old radios