Archive for the ‘Art’ Category

Turntable Skeleton

Monday, January 31st, 2011

We love the simple functionality of this stripped down but beautiful Turnstyle Turntable. Reduced to its most basic elements of form and interface. Read more about it on the nightclubber.ro blog. Thanks to Thunder Disco for the tip-off.

Spinner

Paul Cézanne

Wednesday, January 19th, 2011

The man considered the father of modern art would be 172 years old today if he were still alive. Possibly a strange number to celebrate but Google have chosen one of Paul Cézanne’s famous still life paintings for it’s homepage art today, so why not just jump right on that bandwagon.

Still Life With Skull And Candlestick, 1866

Of all artists of his time, it is perhaps Cézanne who had the most profound influence on twentieth century art (Matisse admired his use of colour and Picasso developed the flattened structure of Cézanne’s compositions to create the Cubist style.) During his time he was unknown as a painter, had few friends, mistrusted critics and exhibited very rarely. He demonstrated antisocial behaviours such as not washing and refusing to shake hands. Many of his early works were painted with deep pigments and dark tones, reminiscent of romantic and melancholic expressionism of previous generations and reflective of his own self-doubt and depression.

Still Life With Milk Can And Apples, 1880

Cézanne achieved financial independence not through exhibition or sale of his works, but by inheritance after the death of his banker father in 1886. He remained in relative isolation, but showed an incredible evolution in style around this period. He continued to paint from life but with a new, brilliantly coloured impressionistic style, gradually simplifying the application of paint to the point where he could express volume and shape with just a few touches of colour juxtaposed. Cézanne had discovered a way of representing light and shapes in nature, simply by using colour. He reintroduced structure that impressionists had abandoned.

The Bathers, 1902

Cezanne had a meticulous obsession with composition, he would use tiny coins to prop up objects in his still life configurations, looking to gain a perfect balance between the objects. He would also move his canvas to paint from different viewpoints, in many ways this paved the way for the upcoming cubist and abstract eras. Cezanne’s use of colour as tone and his obsession with formal elements of composition made it possible for artists who came after to question what they saw and how they represented this on their canvas. By the end of his life Cézanne reduced even his figurative forms to mere representations of themselves. Said Pablo Picasso, “My one and only master . . . Cezanne was like the father of us all”.

You can find a fine archive of Cézanne’s complete works here.

Françoise Dufour

Friday, January 14th, 2011

If you happened to advance through the doors of We Love Space in 2010 you would have passed by Roxane. She’s the glamourous go-to girl for all your guestlist needs and daughter of artist Françoise Dufour. This intuitive painter found inspiration in the artwork of our own illustrator David Tazzyman, and has used our posters to create mixed media of collage and oils on canvas.

Marwencol

Tuesday, November 23rd, 2010

Welcome to Mark Hogancamp’s Marwencol.

‘After being beaten into a brain-damaging coma by five men outside a bar, Mark builds a 1/6th scale World War II-era town in his backyard. Mark populates the town he dubs “Marwencol” with dolls representing his friends and family and creates life-like photographs detailing the town’s many relationships and dramas. Playing in the town and photographing the action helps Mark to recover his hand-eye coordination and deal with the psychic wounds of the attack. When Mark and his photographs are discovered, a prestigious New York gallery sets up an art show. Suddenly Mark’s homemade therapy is deemed “art”, forcing him to choose between the safety of his fantasy life in Marwencol and the real world that he’s avoided since the attack.’

Doll Face

Doll Face

The above pictures come from the story A Trip To The Store, a personal favorite of ours along with the Legends series.

I CAN SEE PIXELS

Thursday, November 18th, 2010

With almost everyone having a cell phone and thusly a camera, everyone in public runs the chance of being visually documented. A more populist, mob version of the 1984 that George Orwell predicted. People may start to “act” all the time. This is extreme and presently unlikely. But has the complete ubiquity of cameras – not as cameras, but as part of something else (a phone) – given photography as art, or otherwise, an even longer tail than before? – Gabriel McIntosh

Jörg Holtkamp - Düsseldorf/Germany

I CAN SEE PIXELS is a new (the first issue has just been released) online pdf based magazine all about mobile phone photography. Contributors for the first issue are from places as diverse as Malaysia, Philippines and Germany. Featured photographer Jonathas Mello explains the attraction of cell phone technology, “With a cell phone we have much more opportunities and angles to take pictures. Even at a bus trip, when bored somewhere or at an unexpected sunshine we have cell phone and digital memory to experiment new approaches to a theme.”

Shawn Rocco - Raleigh/USA

There’s also contributions from other curators of online mobile phone photographs such as Cellular Obscura and Garden Apt. Gabriel McIntosh of Garden Apt contributes with a lengthy interview on the low-fi/hi-tech combination, “The photographs are even truer to life than more accurate and precise photographs made with more tradition tools. It is in a sense reality photography, like reality television. Mobile phone photography becomes cultural hi-fidelity due to it’s very perceived authenticity and yet, simultaneously low-fidelity because the images are pixilated and of low technologically quality.”

Jonathas Mello - Florianópolis/Brazil

We’ve got our own budding cell-phone shutterbugs which you can check out here. Download the first issue of I CAN SEE PIXELS, here. Below, a cameraphone photo of a dead bird run through nine Photoshop filters.

Inkadelic 10 Year Anniversary at We Love Space

Wednesday, August 25th, 2010

A true Ibiza institution, Inkadelic is the most established and revered tattoo parlour on the island of Ibiza. The shop is widely regarded among aficionados who fly from all over Europe just to have work done by Neil Ahern and his colleagues, “spending serious money and serious time – we only do custom work.” To celebrate their 10 long years of artistry we’ve handed over control of El Salon on Sunday August 29th to Neil and his cohorts, they’ve invited DJs Luca C & Brigante, DJ Blue (Hunk Papa), Jon-Jak and Samir to man the decks for this night of festivities. Special guest DJ Blue aka Hunk Papa is a founding member of the UK B-Boy Championships, expect a specially prepared set of zulu-dub and liquid-reggae. There will also be live tattooing taking place in the room – let’s get inspired!

Let's make love and listen to death from above

Although our trusty booker (and Inkadelic patron) Mark says “it hurts when you go to see him”, Neil is a nice guy really. Check his email address on the flyer above for guest list enquiries or why not just visit Plaza del Mercado Viejo and experience the shop (below) for yourself. If you are thinking of getting a tattoo Neil has some good advice for you: “The people should be going in asking constructive intelligent questions and see what the tattooist is gonna do for them. It’s quite easy to see, go into a shop, see how the shop is. You can see if someone’s into something or not. You feel it, hear it. This place here is like a museum, a shrine to tattooing – it’s a big part of my life.”

Yes, that's Naomi Campbell

Also playing on the night are 2ManyDjs, Joris Voorn, Paul Woolford, James Holden, Ewan Pearson, The Mole, Paul Mogg and more. You can see more photos of Inkadelic and their crew on myspace. There’s a facebook event page thing, here. As Jack London said: “Show me man with a tattoo and I’ll show you a man with an interesting past.”

We Love… Space 2010 Summer Preview

Thursday, June 10th, 2010

A short preview of the artwork, music and artists to expect this summer – at We Love… Space, Ibiza. Music from Omar, Henrik Schwarz, PBR Streetgang and Soul Clap & Catz n Dogz as Clapz n Dogz.

Klip Kollektive – Projection Face Test

Friday, June 4th, 2010

Sometimes we find something that is so excellent it requires no introduction, but we’ll give you one anyway. It’s from a group of filmmakers, photographers and interactive artists who create high-end, large-scale and unique video installations. The track is the Soulwax remix of LCD Soundsystem’s Daft Punk Is Playing At My House.

Field Notes

Thursday, May 20th, 2010


From a cultural history of hearing, we know that hearing, as a sense of information and orientation, was ranked before seeing. The gods, first and foremost, could be heard (if one could set eyes on them at all). From the sounds of thunder and lightning – though one can not see their origin – one reads the wrath of the gods. The invisible fires one’s imagination. Ulysses does not succumb to the singing of the sirens since he has allowed himself to be tied up at the mast of his ship. He does not see the sirens, he only hears them. Its invisibility renders the singing dangerous. It is the potentiality which the invisibility attributes to it, that which is not used, the innominated attender. It is this which drives Ulysses wild. Cristoph Korn


What is the difference between noises and music? Does every sound that is not recorded for scientific purposes automatically become music? Field recordings have only recently been recognized as a bona fide artistic genre. A field recording is generally used to describe any recording captured outside of a recording studio, it often involves the capture of low level, complex and ambient noise. Field recordists and sound artists listen to sounds of the world and record them. They can present their recordings unedited or sometimes collage and manipulate them – arrange them into compositions, create installations and sound sculptures.


Our series on online PDF magazines continues with a publication which focuses solely on the subject of field recording. The first two issues have many interesting articles and essays from a diverse range of artists, philosophers and academics. It also contains some pleasing pictures of locations in which field recordings take place. So go ahead and download those first two issues here. Or check out their website if you would like to download the German version.

Invisible City

Tuesday, March 16th, 2010

Invisible City Issues 1 - 6


Invisible City is an online magazine in the vein of Cuemix and Romka which we have featured previously. It’s an online magazine in .pdf format showcasing contemporary art and writing by emerging artists from Australia and around the world. Each issue explores a contemporary theoretical idea through images, poetry, creative and critical writing. It’s curated and run by Marlaina Read, an emerging artist from Sydney. You can read her honours paper here. It’s a good read if you are interested in the super-modernity of post-industrial non-places such as airports and how to travel and take photographs which convey a personal, reflective intimacy for distances travelled and places seen. She’s also got a blog, so you can check out her more personal and rarefied musings there.

Each issue covers a different topic, such as blindness, mapping or bodies (in issues 3, 5 and 4 respectively). It’s free to download and definitely worth a look so we’ve compiled the first six issues for you to download here.

Download – Invisible City Issues 1 to 6

Invisible City – Official Site

Marlaina Read – Official Site