Archive for March, 2010

11 Questions – Andy Carroll

Friday, March 5th, 2010

Originator


Probably one of the most adaptable DJs around. A passion and obsession with various types of music has seen a very rich musical history unfold during the long and varied career of Andy Carroll. He started DJ’ing in Liverpool at Brady’s a punk and new-wave club where he got to play with many up-coming bands of the day including Pigbag, The Slits, Mo-dettes, Icicle Works, Swell maps, Gang of Four, Teardrop Explodes and Crass et al. Whilst the trendy Londoners were coining the term ‘balearic’ Andy had been playing eclectic sets for years before the term was even dreamed of and was simply doing what he does best – playing good music. In the summer of ‘86 his DJ partner returned from a trip to New York armed with the latest ‘House’ music vinyl which now entered the evening’s soundtracks. A continuing thirst developed to experience one of House Music’s places of creation at first hand, and so, in the summer of ’88 Andy went to New York and sampled house music from Chicago, garage from New York and the proto-techno sound of Detriot. It was a hot bed of sounds and creativity where now legendary club nights were over-flowing with the ‘house’ soundtrack. When he returned, Liverpool was ripe for a whole night of acid house. Andy continued his promotional activities and brought over the little known French dance maestro Laurent Garnier to join as a guest. He also played at numerous ‘news headline’ Orbital parties and avoided arrest for crimes of playing acid-house on numerous occassions by a mixture of pure fluke and an ability to run across a field swiftly. As the house bug stepped up, Andy among the first to bring NYC legend Tony Humphries and Sasha for the first time to Liverpool. A successful record label ,production and remix company, major label A&R consultancy and the formation of a few more club legends followed, whilst Andy continued pursuing his first love of DJ-ing as he does to this day.

Andy has been part of the We Love… family from the get-go and has played across the club in Space Ibiza, showcasing his many styles and varied taste in all the music that we love…

Is there one book that you have read that has been life-changing for you?

Several for different reasons, one of them that I read many years ago recently inspired me to try having a totally random weekend adventure that came from reading The Dice Man by Luke Rhineheart. Thankfully that turned out really well. A lifestyle improving book is ‘Water & Salt, The Elixir of Life ‘ by Peter Ferreira and Dr Barbara Hendel . The title gives the content away and yes my health and overall well being has improved rapidly!

Did your parents encourage you to work in music?

Never.

How did you begin to work professionally in music?

A mixture of pure passion, sheer determination and a bit of the right time right place. Oh, and a good ear.

How do you apply your past experiences to what you do today?

We constantly evolve if we allow ourselves. We are never to old to learn, so I respect the past and look to the future.

Where is your current studio and what is it like?

No studio, but I do have likely one of the largest, most diverse music collections around.

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

I could do with someone to sort it for me.

Carroll singing


How would you describe your work?

A very fortunate joy.

Who were your teachers?

I had a very rounded musical education ranging from my Dad and his mix of Jazz and Irish Rebel songs through to a whole spectrum of amazing music from various family members and their mates.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

That someone would break into their place, do the same to them and see how they feel. Hopefully they may think twice before ever doing this again.

You have to make one species of animal extinct. Excluding insects, which species would you make extinct?

Komodo Dragons.

If you could spend one week in any period of history, which period would you choose?

A week on a sesh with Mozart .

Andy Carroll – DJ Profile

Andy Carroll – Facebook

Office Listening – #14

Thursday, March 4th, 2010

Ring ding

This week, Ruairi picks in honour of Andy’s recent birthday celebrations which sounded too strange to be true yet the photos prove otherwise. Andy dedicates his choice to Guru of Gang Starr who is in a coma, maybe it was a heart-attack, maybe he’s dead, we don’t know. Julie only gets two choices because she sent us a wild goose chase trying to find the third, which didn’t exist.

Ruairi…

Butthole Surfers – 22 Going On 23
Little Dragon – Looking Glass
PJ Harvey – Sheela-na-Gig (Acoustic Demo)

Julie…

Texas – In Demand
Edward Maya feat. Vika Jigulina – Stereo Love (Massivedrum DJ Fernando Remix)

Andy…

Gang Starr – Full Clip
The Rolling Stones – Miss You
Jape – Floating (Prins Thomas Diskomiks)

Outsider Music – The Kids of Widney High

Thursday, March 4th, 2010

Windeylicker

I’m a teacher of the severely handicapped in the LA public schools, and in the fall of 1987 I set up a songwriting class to see if the kids I was teaching at Widney High could write songs. The class was made up of students who all were developmentally disabled and had a variety of conditions. Most of them had behavior problems as well. I was amazed as the kids poured their emotions into the project and day after day created the ideas that are contained in this album. – Michael Monagan

Wheely good


The Kids of Widney High weren’t originally intended to be a grassroots pop cultural phenomenon. At first it was a way for special education teacher Michael Monagan to introduce his class of severely handicapped high school students to a sort of art therapy in songwriting. It evolved into something far larger, leaving many to question the intentions of those associated with its wide-scale distribution. In 1989, Monagan and a set of professional session musicians and studio engineers teamed up with his students to record a series of songs. It was designed to showcase the potential of Mongan’s class and perhaps serve as a model for other teachers of the developmentally disabled.

The resulting 1989 release, Special Music for Special Kids is remarkably well-produced, although it does suffer from the ills of the era in it’s somewhat tacky 80′s sound. You can tell from listening that those involved in the project took it seriously, the upshot being a fun and listenable album. It was designed and marketed as a record for young children and you can hear this in it’s presentation, but it later scored considerable success with curiosity seekers among the general public. It attracted everyone from immature teenagers seeking something different from the pop milieu of the late 80′s to experimental musicians who loved the raw, unpretentious feel. Predictably, it also worked wonders for the students themselves, many of whom were reported to have remarkable breakthroughs with self-esteem and confidence. There is however an unfortunate exploitative feel to the album as a whole, the songs are not created purely by the disabled students after all, the hi-tech production clashes with the naive and untrained vocals.

Ten years later, the original songwriters had come and gone, but the kids of Widney High were still making music with teacher Mike Monagan still leading their way. In 1999, they were invited to support Mike Patton’s experimental metal group Mr. Bungle for a few California tour dates. The same year, they released another album, Let’s Get Busy on Patton’s new label, Ipecac. With a post-grunge feel, it mirrors the transition from sugarcoated pop to a rockier character which the American youth experienced through the 90′s. People were suspicious of the label’s motives as Patton is infamous for his nefarious sense of humour. Ipecac would say that eccentricity is what unites the roster of bands including the Melvins, and Patton’s own various left-field side projects. With the label he seems to bring together musicians who fit in nowhere else.

From Patton himself: “The students have written songs that reflect their experiences growing up disabled in the exciting but unforgiving city of Los Angeles. The topics of their songs range from the fear we all have visiting the doctor to a way to vocalize how to stand up for what they think is right, by rewriting the lyrics to “Respect” transforming it into an anthem for those with disabilities. The kids bring an honesty to the songs that is pure and refreshing and real. Being part of the music industry can make one tired and jaded about music and life in general. Bands and labels throw around fake sales figures and chart positions and keep thousands of attorneys in business, battling each other. Radio stations accept payola for pushing putrid pablum on a brain dead public. So called music magazines take money from high priced PR firms for plastering has been heroin addicts all over their pages. The Kids of Widney High is unaffected by any of that crap. These kids make music that is real. These kids make music for the joy of it. It is a tribute to these kids and their teachers! We started Ipecac for this very reason, because we love music.”

Sing while you're wheeling


Their latest release is Act Your Age on Moon Man Records and if you’ve ever wondered what mentally challenged high school students think of the political climate in Cuba then this is the record for you. There is no debating that the Kids of Widney High love making music for the right reasons – the enthusiasm shines through in all their recordings. Despite the obvious changes to their lineup as their members pass through adolescence, out of high school and into adulthood, they continue to tour infrequently in Southern California. We’ve put up that original album for your listening pleasure and you can download it here. But take a look at their online store where they’ve had the initiative to release a graphic novel all about their musical adventures.

YOU BETTER WATCH OUT OR THE INSECTS WILL GET YOU!

Download – Special Music for Special Kids

Ipecac Records

Kids of Widney High – Official Site

LOMO LC-A

Wednesday, March 3rd, 2010

Snap out of it


In 1982 a phenomenon began in St Petersburg. On examining a Japanese compact camera called the Cosina CX-1, an engineer at the Leningrad Optics & Mechanics Amalgamation saw a compact automatic format which could provide to the masses a reliable workhorse for everyday photography. An order was given that an improved copy should be produced on mass for the Soviet peoples snapshooting pleasure. With greater potential of a sharp glass lens developed by Professor Radionov as well as an extremely high light sensitivity and robust casing the LOMO LC-A was born. Within a year the camera quickly found its way into the hearts and camera pouches of the enthusiastic proletariat in Communist states such as Ukraine and Czechoslovakia and even as far as Cuba and China. After a ramp in production there were 1200 people working solely on production of the LC-A, 500 of whom were assemblers.

Optical genius – Professor Radionov!


Fast forward to 1991 and two Austrian marketing students are holidaying in a newly liberated Czech republic and bought a camera in Prague as they forgot to take one with them. Their eye fell on a certain 35mm compact produced in the Soviet Union. They bought it, experimented with it, hyped it… By this time the LC-A’s market share had been weakened by flashy imports from Asia and production was grinding to a halt. Being marketing students, they kept tight control over their hype as it developed – founded the “LOMOgraphic society” to preach their gospel and made a deal with LOMO to become the sole worldwide dealers of the LC-A. To find a solution to the ever-expanding demand and diminishing supply of the LC-A, the marketeers travelled to the LOMO Optics factory in St. Petersburg. The society heads managed to convince the factory heads (and Vladimir Putin – Vice Mayor of St. Petersburg at the time) to begin full production of the camera once again.

The marketing students started a genre of photography built around the LC-A – LOMOgraphy. They orchestrated get-togethers and happenings at trendy places. They started a website early on while the web was still fresh. They made sure every LOMOgrapher passed through their society. And all the time with cash flowing in. They currently charge €250 euros for the basic model, a large markup on what is essentially very simple technology. Similar products, with similar results (genuine Soviet cameras included) can be found for less than half the price. LOMOgraphy is a profitable business, making money on everybody’s desire to be part of the in-crowd. The LOMOgraphy company has branched out to include clothing, hip gallery stores and the aforementioned parties and get-togethers. More and more it’s encapsulating it’s customers with a prefab lifestyle of which it is the only supplier with an admission fee of €250.


The intent of LOMOgraphy is to let go the burdens of traditional photography, to capture life as it is, spontaneous and from the hip. To be wild, young and free. To translate freedom into pictures. It’s not a bad philosophy, but it can lead to pictures being shot with the least possible brains in order to impress others with said spontaneity. When a philosophy becomes less of an ideal and more of a business it inevitably loses its shine. Among some photographers, LOMOgraphy has become a byword for debasing of their craft, a synonym for bad pictures, for seeing things that are not there and labeling everything art.


In 2005 the LOMO optical factory ceased all production of the LC-A camera. Their overall production had become more specific and high-tech to optical instruments such as gunsights and microscopes. Perhaps they didn’t want the insinuation that they were associated to lo-fi, low tech photography. The LOMO LC-A+ is now made-in-China, but according to it’s makers, delivers 98% the same results as its original.


Despite the undeniable guilelessness of the photographs it can produce, as well as the product’s usability and universal intentions – everybody can be a LOMOgrapher and with some practice everybody can do it well – it’s very democratic. As much as LOMOgraphy can claim to be beyond the realm of traditional photography, it remains photography nonetheless. LOMOgraphy is special because it is very individual but it takes no specialist skill. It plays on the notion that everyone is special, even if we are all alike – selling exclusivity, but with the whole world as their market. It’s only business, after all.

Be sure to check out the galleries on the official website.

Sonic Warfare

Wednesday, March 3rd, 2010

From a lions roar to the shake of a rattle snake’s tail, nature has evolved was of implementing sonics in matters of defence, dominance and survival. Early man picked up similar habits and war cries were used to strike fear into enemies. In this basic form, sounds are predominately used to express power and strength or to elicit memories of past bad experiences. A notable cinematic representation of this in recent times is Lieutenant Colonel Bill Kilgore’s use of Ride of the Valkyries in Apocalypse Now. In the modern world sonic warfare has become much more advanced. Certain developments of this technology have even found their way into everyday life. Many pest or animal control systems will use high frequency sounds to deter rats from entering buildings or to subdue an unruly dog; doing so in a way where the frequency used will cause physical pain to its subjects. All though these technologies were originally intended for use on animals, similar systems have also been used on humans. Many police forces and militaries will use high frequency crowd control weapons to disperse groups of hooligans or protesters for example. Although these weapons are advancing from the primitive war cry they are still preying on the ears of the intended victims.

Vortex Ring Gun

Vortex Ring Gun

Other weapons have been developed which utilise sound in very different ways. The Vortex Ring Gun fires a high speed pressurised vortex ring. In early stages of development the ring was capable of knocking over a fully grown man at a distance of 10m, with some sources now saying that the gun utilised in quick succession and hence creating a resonating wave can shatter bones and even collapse vital organs. The gun has also been used as a means of firing a localised airborne sedative and is being tested for use in hostage situations. Strangely some Japanese monks believe they have already mastered this technique and claim to be able to to level an opponent with a single shout. Other weapons which capitalise on the destabilising properties associated with natural resonance are in the development stages. Tests have already been carried out on powerful low frequency speakers capable of collapsing bridges and buildings. On a more science fiction tip developers have been working with focused ‘beams’ of sound, similar to lasers which can liquify living tissue! When researching this area we stumbled across stories of a notable club sound-system designer who during the Vietnam war was involved in the creation of a highly secretive weapons system. The device used a high frequency sound emitter and would melt the glue holding the cornea to iris of the victims eyes as it was flown over enemy territory rendering the victims completely blind and therefore neutralised. For certain reasons we feel it is best for you to do your own research into this.

Underwater, sound acts very differently and as always we are playing catch-up with nature. The Tiger Pistol Shrimp uses acoustic cavitation to focus sound waves which will stun and kill prey. Similar techniques are being researched by Navies world wide for boat protection and anti frogman techniques. Again in development stages, techniques are being investigated for using sound to disrupt enemy torpedoes and navigation systems.

Of course there are less sophisticated ways that sound has been used by the authorities in matters of policing. Certain local authorities in Britain which have been plagued by antisocial behavior from the ASBO generation have reacted to the lack of help from the police by taking matters into their own hands. Local loitering hot-spots for these youths include supermarkets, corner shops, bus stations, etc and instead of incurring the extra cost of security guards these establishments have been encouraged to play music unbefitting of today’s hoodlums. One popular choice which has shown great successes was Britney Spears which the trouble makers apparently found unlistenable and had to move on. Perhaps there is hope yet for these reprobates.

Rebel Music – Narcocorridos

Wednesday, March 3rd, 2010

Toco

Drug lord of the dance

Del infierno se escapa
Y se persigna en la iglesia
Y aveces las residencias
Aveces casa campaña
Los raídos y las metrallas
Durmiendo al piso en la cama
De techo aveces las cuevas

He escaped from hell
And crossed himself in church
Sleeping sometimes in homes
Sometimes in tents
Shrapnel and rifles
At the foot of the bed
As a roof sometimes caves

-The Vultures of Culicán

Narcocorrido translates as “drug-ballad”. Heard on both sides of the border (both Mexico and the United States), the form is a sort of danceable polka – describing the poor, the destitute, bandits, criminals and illegal immigrants. The first corridos to focus solely on drug smugglers – the narcos have been dated to the 1930′s. The lyrics pertain to particular events, real dates, people and places related to the criminal activities of the elusive cartels and their dealings. The songs promote the renegade mystique of the sly drug lords, embedding the popular legend of the outlaw aesthetic into modern Mexican culture. It’s said that the narco-kings personally commission ballads to justify their conduct and immortalise their accomplishments.

The potent mixture of money, ruthlessness and trickery provides fertile ground for the songwriters imaginations. There is a complex relationship between the cartels and the communities in which they operate with impunity. An orchestrated balance of fear and respect plays it’s part: On the one hand terrorising rivals with kidnapping, killings and torture (dissolving bodies in acid is not unknown) – and on the other building loyalty in communities by funding new schools and churches. The protagonists are part-monster, part hero; a combination which keeps their whereabouts shrouded in silence. The ring-leaders are protected by a sophisticated reconnaissance operation with deep roots in the local population. Those who watch out are anyone from taxi drivers, street sellers, shoe shiners and delivery men – anyone equipped with a phone who wants to earn a few dollars by informing on military or police activity.

Don't fret about it


The composers and performers of the ballads range from international superstars to rural singers documenting their local current events in regions dominated by guerilla war. From the heartland of Mexican drug traffic to urban centres such as Los Angeles, the songs function as a sort of musical newspaper, singing of government corruption, the lives of immigrants in the United States, and the battles of the Zapatista rebellion in Chiapas. Although largely unknown to English speakers, corridos top Latin charts and dominate radio playlists in the United States and south of the border. There is poetry and social protest behind the gaudy lyrics of powerful drug lords. The genre of Narcocorrido shows how popular music can remain the voice to the people, even in this modern world.

The violence of the Mexican drug war has also touched the lives of narcocorrido musicians. Between 2006 and 2008, over a dozen prominent Mexican musicians, many of them connected to the narcocorrido genre, were murdered. There has been debate over the motives behind the killings and over to whether the media has exaggerated the trend. The assumption that any of the murders were related or that musicians on the whole are targets for drug traffickers has been disputed. But given the grisly nature of the murders, some of which were accompanied by torture and disfigurement, few doubt that drug cartel hitmen are to blame.

For anyone who’s seen the most recent series of American drama / black comedy Breaking Bad will be familiar with the unique if strange way Episode 7 was opened with a song from Mexican cousins Los Cuates de Sinaloa. The video is like something you would see on Latin MTV with Spanish and English subtitles. The song tells us about lead character Walter White, his pure-grade crystal meth and growing infamy with cartels south of the New Mexico border. Check out the track here.

Download Los Cuates de Sinaloa – Negro Y Azul

Narcocorrido – A Journey Into Music, Drugs and Guerillas

Los Cuates de Sinaloa – Profile

Matrixsynth

Tuesday, March 2nd, 2010

Going by it’s own subtitle “everything synth” MATRIXSYNTH, should give you a good idea of what to expect from this all-consuming treasure trove of keyboards, vocoders, synths and samplers. From all ends of the synthesis spectrum you can find comprehensive looks at digital recreations of Alicia Key’s own custom Yamaha grand piano to quirky art projects like the inkQuencer, a step-sequencer that plays music based on camera input – people can draw patterns on paper and then play back the patterns by holding the drawing in front of the camera.

Ye old synth


They’ve also keeping the inner geek of every synth lover alive with a pincer movement of retro advertisements (via Retro Synth Ads) and some photo’s of the fairer sex holding keyboards.

Girl geeks - probably Dutch, canals see.


If you are in the business of shopping for rare synths, you can find a lot of links to relevant eBay auctions through the site, such as for this Pink Casio SK-1.
Current bid $63.00

Current bid $63.00


And of course, this post would not be complete without the obligatory Corvax Synth + Harvestman Hertz Donut Module Filter Self-oscillation demonstration… and many thanks to Dog for the heads-up.

MATRIXSYNTH

Retro Synth Ads

Them Thangs

Monday, March 1st, 2010

Systems of symbols and pictures that are constituted in a certain ordered and determined relationship to the form, content, and intention of presentation are believed to be among the most important means of knowing and expressing religious facts. Such systems also contribute to the maintenance and strengthening of the relationships between man and the realm of the sacred or holy (the transcendent, spiritual dimension). The symbol is, in effect, the mediator, presence, and real (or intelligible) representation of the holy in certain conventional and standardized forms. – J Blyth

Them Thangs is run by Justin Blyth. It is a collection of things he likes, intended for visual inspiration, there are no adverts, links or credits.

Up until around a month ago there was a photo-blog shaped hole in the internet. One of the greatest collections of found art and photography on the internet was taken offline by it’s creator Justin Blyth, as the hosting costs involved were running into many thousands of dollars.

He was informed by his hosting company that his bandwidth was on par with big media monoliths such as CNN.com.

Thankfully a plea for donations has resulted in the site coming back online. We urge you to visit this glorious and visually profound resource.

Also, take a look at Justin Blyth’s work as a multi-discipline designer, animator and art-director. He works across the fields of print, advertising, film and animation.

THEM THANGS

Justin Blyth