Mark Broadbent: How To Get Booked At Space Ibiza

July 28th, 2010

By guest writer Jonty Skrufff, join him on facebook here.

Ten years after he became the head booker at Ibiza’s most credible and critically important party (We Love) at the island’s most influential venue (Space), Mark Broadbent’s advice for landing a gig is impressively (if deceptively) simple.

“Make friends with us,” he recommends, “reach out.”

Well aware of We Love’s career boosting potential he’s equally conscious that every new booking means an established player loses out, a side of his job he admits continuing to find more than a little tricky.

“It’s a terrible thing to have to do to tell someone you’re no longer booking them and over the years I’ve dropped quite a few acts who were mainstays of our programming back in the day,” he admits.

‘You’ve got to remember that most of these people have become friends but at the end of the day you’re not doing anybody favours by just booking them for the sake of it. Everybody can tell when a booking has been made for those reasons. Still, it’s the worst part of the job and it keeps me awake at night sometimes,” he admits.

Pursuing a policy of mixing big name ‘underground’ names (this season’s stars include Carl Craig, Claude VonStroke and Joris Voorn) with rising talent (notably Deepgroove, Berghain’s Marcel Dettman and Jesse Rose), We Love is broadly centred around techno, though Mark’s keen to avoid being pigeon-holed by genres.

“We book acts from all four corners of the globe and given that we have six rooms to program you can often find lesser know genres like dubstep, for example Appleblim – being played in the club at the same time as big room house, for example by someone like Steve Lawler,” he points out.

“Music is our passion and we hunt it out in the best venues and parties and try to replicate what we experienced through our programming here at Space. This has also helped keep our parties very cosmopolitan in terms of our customers.”

He’s also impressively unflustered about the actions of rival Balearic clubs such as Pacha who made a dramatic move this season booking minimal / deep type Luciano for a season of Sunday night affairs.

“After 15 years living and working on Ibiza I have found that people who like to go to Pacha will go there but on the same token, if you don’t like Pacha for one reason or another, no DJ booking is going to make you go there,” he says.

“I think maybe we have lost the odd soul to Luciano this summer but if you’re a regular customer of ours, there is no competition really.”

Jonty Skrufff: What’s your take on 2010 so far: business as usual? Are there any significant trends you’re noticing and/ or pushing?

Mark Broadbent: “Attendance to We Love has been pretty much the same as last year, the numbers aren’t amazing but the parties have been fantastic. This summer will be a hard one again for many and the World Cup hasn’t helped but I’m sure all the main players on the island will see a big jump in numbers over the next few weeks. We don’t really do trends to be honest which is why we are still at the top of our game; keep the quality high and avoid all trends!”

Jonty Skrufff: How are the Ibiza authorities these days: towards clubs and Space in particular? Do they still mount drugs raids on clubbers approaching the club or monitor your closing times closely?

Mark Broadbent: “We have absolutely no problems with them as we stick to the rules in place. We don’t sell drugs behind the bars and we close when we are supposed to. The police here are not interested in people taking a few pills in to the clubs for their own consumption they are looking for dealers and they generally have an angle on this.”

Jonty Skrufff: Fabric owner Cameron Leslie talked this week about London nightlife being affected across the board by massive unemployment amongst the under 25s, how much do you believe Ibiza is immune to economic pressures afflicting Spain / the rest of the world?

Mark Broadbent: “It’s not, many businesses here have been massively effected and the number of tourists this past two years has fallen by over 30% in some sectors.

Jonty Skrufff: He also talked of the need for some ‘very grown up conversations’ about DJ fees with agents/ managers (‘the reality is that, the artist fees that are being asked for don’t go hand-in-hand with dropping attendances’): are you already having the same conversations? or planning to?

Mark Broadbent: “Good luck to him, although he is in a good position as one of the only big room venues in London that acts really want to play at so maybe he stands a chance of lowering fees. We have had this conversation once with a big act that we occasionally book and were very pleasantly surprised with the answer although it’s not something I’m going to make a habit of doing and I would certainly not make a point of doing so across the whole field of acts that play for us. It is easier for us as we have only 16 weeks in which to host the parties at Space so we can plan for most eventualities and figure this into our budgets, a weekly party year round party has its own ongoing budget problems that differ from ours.”

Jonty Skrufff: You spoke to AddictedToIbiza last year who recently described San Antonio as ‘ex-pat English wasteland in the sun’ populated by ‘chavs, teenagers, washed up ravers, has-been English DJs, first-timers’: how much time do you spend in San An personally?

Mark Broadbent: “I go there for bacon from Pete the Butchers once a month in winter and there are a few very nice beaches hidden in far flung corners that way that I’ll visit occasionally in autumn. Outside of the occasional visit to Ibiza Rocks in summer I stay away from San Antonio not out of any fear of the place but there is simply no reason to go there if you live in Ibiza Town as I do.”

Jonty Skrufff: Their use of the term ‘has-been English DJs’ seems a little cruel, how difficult is it for people to stay on the island once they’ve passed their peak in career terms?

Mark Broadbent: “Ibiza is certainly a cruel island to be on if your star has dwindled. However having said that if you’re willing to get stuck in there is always work to be found. It’s ego dependent.”

Jonty Skrufff: What did you do before Space? What was your route into club culture?

Mark Broadbent: “I was a refrigeration technician back in the real world. I worked as a sub contractor for two large breweries for ten years then decided that was not what I wanted to continue doing so left for India as many do to try and find out just what it was I wanted to do with myself. I came home a year later to find the country in the grip of the first recession so there was no work in the field I came from which turned out to be actually a fucking blessing. Anyway, misadventure and good luck in the shape of (We Love chief) Darren Hughes prevailed. Darren was looking for somebody to run his affairs in Ibiza for Cream and we – myself and my wife Sarah – were looking for a job we could do for four months of the year enabling us to travel for the rest of the time. That was 12 years ago.”

Jonty Skrufff: Why aren’t you a DJ yourself?

Mark Broadbent: “I’ve always been a huge music lover so for me this job is really an extension of what I love. Programming the nights musically means I can have a certain amount of input into the whole venue. I have been asked many times to DJ at ours or at other people’s events but to be honest I could never be a performer. To stand up in front of a crowd and be judged, the thought of it makes me feel sick. I prefer to be in the background controlling things out of sight.”

Jonty Skrufff: In the AddictedToIbiza article you also recommended bringing lube (lubrication) to Ibiza why, can’t you buy it on the island?

Mark Broadbent: “Because it’s a small island and there’s only so much to go around! This comment is a little out of date now as it goes. Since I first made it – as a joke – Durex have introduced their own lube and toy arm to the company and you can now buy lube and vibrators in most of the chemists on the island. How times change. I can remember not so long ago when it was impossible to buy condoms in Spain.”

Thanks Skruff, view the original article here.

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jozif – Coca Grande (Mole’s MMD Mix)

July 27th, 2010

A surreal account of genital surgery and general misadventure with The Mole. The soundtrack features a new release from our friends at Vitalik recordings, with amigos jozif and The Mole himself. Available from all good download stores and vinyl distributors.

Vitalik Recording was set up by Ryan O Gorman in 2009, its prevoius incarnation and namesake was synonymous with various forms of underground resistance and clandestine parties across Ibiza and thoughout London. Now with its sole agenda of releasing quality electronic music from upcoming artists; teaming them up with the most highly respected and talented producers trans genre; it focuses its energy firmly on good music and talent rather than a specific sound. Look out for a special Vitalik label night on Sunday August 8th this summer.

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We Love… Montenegro

July 23rd, 2010

In the mountains overlooking Budva Montenegro a new club has been built. The completely out door venue ‘Top Hill’ with stunning panoramic views across the top of Budva will play host to 2 We Love… Parties this summer.

Setting the Stage

Setting the Stage

So new is this venue in fact that so far all we have to offer you are these pictures of the “under construction” stage. We can only imagine how good it’s going to look when its finished!

Summer Vibes

Summer Vibes

The first even will feature We Love… favorites Serge Santiago and Jem Haynes.

We Love... Montenegro

We Love... Montenegro

With echoes of the Space of old, We Love… partying in the sun and under the stars. For more info click here.

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If Music Be The Food Of Love…

July 21st, 2010

…play on! The importance of sustenance at home, rations on the road and the dreaded promoters dinner. Culinary memories of Kraft macaroni and slaughtering your own meal with Ivan Smagghe, Simian Mobile Disco, Deepgroove, Shaun Reeves, Bones and Heidi.

Featuring performances from 2020Soundsystem live at We Love – Ministry of Sound London, Ivan Smagghe in the Discoteca for We Love Space and DJ Hell in London also.

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Francesco Tristano & Carl Craig – The Melody

July 14th, 2010

By all accounts there is a special moment predicted for the Discoteca on Sunday. Endearing innovator Carl Craig will be joined by neo-classical collaborator Francesco Tristano for an exclusive live performance involving a grand piano, moogs and a juno. An electronic-meets-acoustic showcase for our post-digital age. To get an idea of what to expect, check out the video below…

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We Love… Making Music

July 10th, 2010

Cosmic disco doyen Prins Thomas discusses the vagaries of process versus result in making music. New kid in the Discoteca jozif on the importance of crafting a sound. Philosophical Swedes Minilogue profess artistic inspiration comes from being a human being and someone has to play Joris Voorn’s records.

Featuring performances from Prins Thomas, Joris Voorn and Jeff Mills.

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We Love… London!

July 2nd, 2010

We heard Ministry of Sound have installed a spankin’ new, sicker-than-thou custom sound system and we’ve got to pop over from the white isle to check it out. Aural proceedings from DJ Hell, 2020:Soundsystem, Ralph Lawson, Paul Woolford, Todd Terje and Tim Sweeney. It’s gonna be a long, blossoming weekend… More info, here.

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11 Questions – Simian Mobile Disco

June 30th, 2010

Jas and James

Although the origins of Simian Mobile Disco lie in the relatively prosaic rock n’ roll territory of a bust up of indie band Simian at a fish restaurant in Texas, the depth and breadth of James Ford and Jas Shaw’s passion for electronic music is apparent on listening to their diverse but focused catalogue.

Below is a mix James and Jas have given us for our soundcloud page. We hope it’s a good indication of where their “wobbly, psychedelic, atonal techno” will be going this season, both on the Terraza and in the Discoteca. It’s apparent on listening how their sound has developed from “hip-house crunkadelic poonstep” to a love of unadulterated, long-form, four to the floor acidic beats.

SMD will be releasing a series of 12″ singles on their new imprint Delicacies. Each track in the Delicacies series “will take the name of an exotic, and often bizarre, delicacy from around the world.” The first release is Aspic / Nerve Salad a set of driving instrumentals, dark beasts with enough futurism to keep your brain occupied.

You will find Simian Mobile Disco playing an exclusive residency in Ibiza for We Love at Space this summer on the following dates – Sunday 4th July, Sunday 8th August, Sunday 5th September and Sunday 19th September. They bring an infectious brand of hypnotic minimalism meets maximal electronica and their sets are guaranteed show-stoppers from start to finish. So come on down for an act you won’t find anywhere else in Ibiza this summer.

You’ve got something to do while you listen, take a read of SMD answers to our 11 Questions. James and Jas, over to you…

Is there one book that you have read that has been life-changing for you?

James: The first book I really remember having and impact on me was The Twits by Roald Dahl. It was gruesome and funny and really opened up my imagination as a child.

Jas: Über Sinn und Bedutung by Gottlob Frege is one of the most interesting books I’ve read. Not exactly a page turner but it outlines an alternative logic to that set out by Aristotle. The paradigm is not without it’s flaws but it was instrumental in opening up enquiry into the basic logic of language and meaning rather than assuming it to be sound.

Did your parents encourage you to work in music?

James: There was always a lot of music in the house when I was growing up and my parents forced me to learn piano, which I hated but now I’m thankful for. My dad played in a band so there were often instruments around the house that I could learn on. I was playing in a band by the age of ten so my parents had no option but to support me, although they often asked when I was going to get a “proper job”.

Jas: No, quite the reverse. In fact they still ask me when I’m getting a proper job. Slightly annoying but I can’t really blame them, the music industry is irrational and unfair and not something that you would recommend anyone to get involved in. That said, I love making music and never forget what a privilege it is to be paid to do something that you love.

How do you apply your past experiences to what you do today?

James: The good thing about music is that you can never totally figure it out. It’s black magic. Every day you learn something new which you apply the next time you make music but just because something worked once, it doesn’t mean it will work a second time. The more experience of making music in different circumstances, with different people, the better. Every day’s a school day.


How did you begin to work professionally in music?

James: I have played music from a young age and been in many different bands ranging from a 20 piece Sun Ra type outfit to playing in clubs. The first time I earned decent money was probably when I started drumming for 808 State in Manchester, although I was still at college. I suppose I became “professional” when our band Simian got a record deal after college?

Jas: I’ve been making music since I was a kid, playing violin then guitar and keys in bands. At college I got into recording and James and I started building a studio with some friends. The first time I could really have been called music my profession was when Simian got signed but I had been doing music seriously for many years before that.

Where is your current studio and what is it like?

James: The studio where we make SMD tunes is in Hackney. It’s a room basically filled with analogue synths, drum machines and odd sound processing boxes we pick up on the way. Each bit of equipment has a quirk or an interface that alters the musical decisions you make at every level. We have a computer but we try to use it like a tape machine. Most of the sounds are made with real machines and our hands. I think it makes you use a different part of your brain than when pushing a mouse around?

Jas: It’s slowly grown from a dodgy computer and an old mixing desk with a few guitar pedals in a bedroom to a rented room in a rehearsal studio with pro-tools, a vocal booth, tons of synths and some nice bits of outboard and a better mixing desk. Many of the old guitar pedals that we started off with still get a lot of use though and I still think that a bedroom studio is a valuable thing. All the fancy gear in the world is no help if you can’t get at it when you have an idea in the middle of the night.

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

Jas: We don’t worry too much about marketing, I’m still a fan of the idea that good material sells itself.

James:I think any modern musician is aware of marketing to some extent. It’s hard not to be. There is a danger of being too self-aware though. I’ve been in a few situations where trying to second guess peoples expectations is detrimental to the music making process.


How would you describe your work?

James: When we started SMD we were aiming to make “good old fashioned analogue party music”. We have strayed through many genres including electro and pop but at the moment we are aiming to make techno. Wobbly, psychedelic, atonal techno.

Jas: I feel lucky to say that my work involves messing around in studios and then playing the results in some of the best clubs around the world. It really is fantastic and I don’t take it for granted.

Who were your teachers?

Jas: There was a shop in Manchester called Pop records and the guy in there recommended me a new record every week. Some I liked immediately, some it took a while to get my head round. He got me into many great bands, nice second hand vinyl copies as well.

James: Lots of people have inspired me. Some of them I have met, some I haven’t. The ones that come to mind are: Joe Meek, Brian Eno, Phil Spector, Graham Massey, Conny Plank, Rick Rubin, Vangelis, Aphex Twin, Oliver Huntemann, Carl Craig, Moondog, Prince, Raymond Scott, Delia Derbyshire, Sun Ra.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

James: It really depends on the situation, what was taken, was any violence used, what were their motivations? To a certain extent, it someone was desperate and trying to feed their families then you wouldn’t want them to be severely punished. I would leave it to a judge and jury. Someone who spends their whole lives trying to administer fair punishment is surely in a better position than me to decide what should happen.

Jas: They’d have to wire my studio back up.

You have to make one species of animal extinct. Excluding insects, which species would that be?

James: Excluding insects makes it difficult, as I would definitely get rid of wasps. I hate wasps. Pointless, spiteful creatures. I’d maybe get rid of rats instead then?

Jas: Let’s go for chickens. A strange choice you might think but lets face it, everything tastes like chicken; we are not going to miss it. Yes, eggs are nice too but other animals lay eggs and they are just as nice.

If you could spend one week in any period of history, which period would you choose?

James: I reckon the week leading up to man landing on the moon would have been pretty exciting. That, mixed with the late sixties cultural explosion and acid would make for a pretty fun week.

Jas: Quite probably a week working at Moog Music in the 60s, tinkering with synths and establishing the logarithmic 1-volt-per-octave pitch control and separate pulse triggering signal.

Many thanks to James and Jas for taking time out of their hectic schedule to answer our 11 Questions, check out below to get an idea of the kind of thought process which goes into every aspect of their work…

Simian Mobile Disco – DJ Profile

Simian Mobile Disco – Official Site

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The Way We Work

June 19th, 2010

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11 Questions – Foamo

June 17th, 2010

Foam home!

As part of their long-running commitment to new sounds, Chew The Fat! has led itself to the Discoteca for a monthly residency at We Love Space over the course of the summer. Fat! parties originated from from early south London drum n bass raves and became among the first to push the emerging genre of breaks in the late 90’s. Founder Paul ‘Trouble’ Arnold championed new musical territory at prestigious (and now sadly closed) London clubbing venue The End, firmly placing his roster of burgeoning DJ talent at the epicentre of new musical territory. Paul Arnold is clearly as passionate as ever about showcasing fresh talent: “A club night is only as good as it’s DJ’s and a really good club night has a really good resident DJ. Take Erol Alkan at Trashed, Layo & Bushwacka at The End and Craig Richards at Fabric to name a few. Chew the Fat! has been the home for resident Foamo for the last year and a half and is the intrinsic link in evolving Chew the Fat! through the new decade with ever more popularity in what will be its 13th year this year. At only 21, Foamo has soaked up all that has been good in dance music for the early part of his life, from this he has developed a fresh and unique natural ear for sound which you can see and hear in his amazing DJ sets, quality remixes and productions which have been tearing up clubs and dance floors all over the world. Now is Foamo’s time, with his residency at Chew The Fat! Extending to their four We Love parties in Space Ibiza,  it’s your time to check him out!”

Foamo has kindly provided a new mix which you can download here. He’ll be appearing monthly with Chew The Fat! and their Discoteca residency this year. Catch him alongside the likes of Felix Da Housecat, Steve Aoki and DJ Pierre on the following dates; 20th June, 11th July, 15th August and 19th September. Foamo, over to you…

Is there one book that you have read that has been life-changing for you?

I’ll be the the first to admit that I am not the world’s greatest reader but if I had to choose one it would be Catcher In The Rye.

Did your parents encourage you to work in music?

They never actively encouraged me to start making music though I was exposed to all kinds of music from an early age. I have definitely been influenced by their love of music. Their record collection is huge.

How did you begin to work professionally in music?

For me, making music is a hobby that has got out of hand over the years. I went to college to do A-levels, but fucked up and in the end I left – mainly because I was spending too much time on my music. After college I got a terrible job and when the DJing really started to kick off I’d spend all night making music then go to work having had just a couple hours of sleep. I remember having shows in other cities on a weeknight and driving straight to work the next day. When I got my first Australian tour I couldn’t get the time off work, so I quit!


How do you apply your past experiences to what you do today?

I am rubbish at learning from past experiences. I am always making the same mistake twice.

Where is your current studio and what is it like?

Until about 2 years ago my studio was a computer and a pair of headphones. I have upgraded since then, but it’s still quite basic. I have a separate room in my flat I use as a studio now. I prefer working through the night (fewer distractions) so I’ll normally start work at about midnight and work through to the morning. I sleep all day, hence the pasty white skin!

How much have you had to consider marketing issues since embarking on your career and how has that affected your creativity?

Thankfully I managed to get on with relatively little ‘marketing’ myself. I just wrote tunes, sent them to radio and club DJs, posted mixes online etc. I owe a lot to online media, blogs etc. They really helped get my name out there when I first started. It seems to be how many new artists are making a name for themselves now.

How would you describe your work?

I make different kinds of house music. I draw influences from all the music I am listening to now and of course what I was into growing up – drum & bass, garage, grime, hip hop, UK underground music. When it comes to DJing I like to play a really wide range of styles. I play tunes that really excite me, often completely different to my own productions. I get excited by tunes that I would never have thought of making myself.

Who were your teachers?

I taught myself production from the age of 14. I never went on a course or anything like that. I have worked with quite a few producers in the last couple of years and everyone works completely differently. I think it’s important to find your own way of doing things, and to remember there is no right or wrong way to do anything.

Your home is burgled but fortunately the culprits are caught and your possessions returned to you. What would you deem a suitable punishment for the burglars?

A one way ticket to Guantanamo Bay, flying Ryanair.

You have to make one species of animal extinct. Excluding insects, which species would that be?

Foxes. When I was young a fox broke into our garden and stole my rabbit. I came home from school to find all it had left was my rabbit’s tail. I’m still mentally scarred.

If you could spend one week in any period of history, which period would you choose?

The future.

Thanks to Foamo and Fat!. Below check out a remix Foamo’s done for Diplo’s record Hey!. Diplo says: “Foamo’s remix Laidback Luke & Diplo / Hey! is one of my favourite tracks of last year.” So there you go!

Foamo – DJ Profile

Foamo – Myspace

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